Racine : a theatrical reading

Author(s)

Bibliographic Information

Racine : a theatrical reading

David Maskell

Clarendon Press , Oxford University Press, 1991

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Note

Includes bibliographical references (p. 247-257) and indexes

Description and Table of Contents

Description

This original and innovative study is the first systematic exploration of Racine's theatricality. It is based on a close examination of all Racine's plays and on evidence for performance of them from the seventeenth century to the present day. David Maskell considers, with the help of illustrations, the relationship between verbal and visual effects. He shows how the decor in plays such as Andromaque, Britannicus and Berenice is significant for the action, and indicates the rich, often symbolic implication of stage properties and physical gestures, particularly in Mithridate, Phedre, and Athalie. Racine's usually neglected single comedy, Les Plaideurs, is shown to cast light on the theatrical language of his eleven tragedies. Some familiar topics of tragedy - moral ambiguity, error, and transcendence - emerge in a fresh light, and the concept of the tragic genre is critically examined from the theatrical standpoint. This study challenges many long-established views of Racine and lays the foundation for a reassessment of his role in French drama. It also opens new perspectives on his relationship with dramatists writing in other languages.

Table of Contents

  • Part 1 Setting the scene: Parisian theatres
  • ambiguous place and precise place
  • decor and text
  • the 12 plays
  • lighting and sound effects
  • interpreting the decor. Part 2 On stage, off stage: significant entrances
  • costume
  • significant exits
  • choruses. Part 3 Physical action: stage directions
  • visual language
  • "Athalie". Part 4 Verbal action: speech as action
  • the art of persuasion
  • acting styles. Part 5 Racine the director: "La Champmesle"
  • the alexandrine
  • conventional and incongruous "actio"
  • the listener's performance
  • interrogations
  • visual focus. Part 6 Across verbal frontiers: comparisons
  • French tragedies 1659-1664
  • the visual tradition
  • Greek tragedy. Part 7 Seeing the tragedy: moral ambiguity
  • errors of judgement
  • endings
  • transcendence
  • the alternative agenda.

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