Reading "Rembrandt" : beyond the word-image opposition : the Northrop Frye lectures in literary theory
著者
書誌事項
Reading "Rembrandt" : beyond the word-image opposition : the Northrop Frye lectures in literary theory
(Cambridge new art history and criticism)
Cambridge University Press, 1991
- : hardback
- タイトル別名
-
Northrop Frye lectures in literary theory
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 399-480) and index
内容説明・目次
内容説明
Reading Rembrandt: Beyond the Word Image Opposition explores the potential for interdisciplinary methodology between literature and visual art. In a series of close analyses of works by Rembrandt works whose attribution is still challenged, but can still be considered within the context of this study-and texts related to those works, Mieke Bal questions the traditional boundaries between literary and visual analysis. Bal also studies Rembrandt's complex handling of gender and the representation of women in Rembrandt's painting. Although Reading Rembrandt's methods originate outside the history of art, it demonstrates nonetheless the author's sensitivity to the visual aspect of Rembrandt's work. The works by Rembrandt gain in depth and interest, but an original perspective of the role of visuality in our culture emerges, which ultimately has consequences for our views of gender, the artist, and the act of reading.
目次
- 1. Beyond the Word-Image Opposition
- 2. Visual rhetoric: The semiotics of rape
- 3. Visual storytelling: fathers and sons and the problems of myth
- 4. Between focalisation and voyeurism: The representation of vision
- 5. Recognition: reading icons, seeing stories
- 6. Textuality and realism
- 7. Self-reflection as a mode of reading
- 8. Blindness or insight? Psychoanalysis and visual art
- 9. Blindness as insight: The powers of horror
- 10. Dead flesh, or the smell of painting.
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