The imperial metaphor : popular religion in China
著者
書誌事項
The imperial metaphor : popular religion in China
Routledge, 1992
大学図書館所蔵 全30件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [202]-206) and index
内容説明・目次
内容説明
A basic fact of Chinese social life and history is the institution of territorial cults and their festivals. High-points of social life, they portray and punctuate a sense of life and death and present a whole picture of Chinese political relations as seen at their popular roots. The images of demons and ghosts and those of protectors against them which festivals and their temples display, are an organization of Chinese local identification and provide an insight into everyday life and belief in China. It has come to be expected that religions can be named like identities of nations and cultures, or at least knowable doctrines, but Chinese popular religion has no name. It is not a religion of a book, nor is it the named religion of China - Taoism. The popular religion includes some elements of both Buddhism and the imperial cults, more of Taoism, but it is identifiable with none of them. It is a religion of common people, but not "of the people" in the sense of a national population's mass culture. This book should be of interest to students and lecturers of religious studies, anthropology and Asian studies.
目次
- History, Identification and Belief
- The Annual Apocalypse
- Offical and Local Cults
- Local Festivals and Their Cults
- The Incense Burner - Communication and Deference
- Taoism and its Clients
- Ang Gong, or the Truth of Puppets.
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