Gluck and the French theatre in Vienna
著者
書誌事項
Gluck and the French theatre in Vienna
Clarendon Press , Oxford University Press, 1991
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Any study of the works that the Bohemian Christoph Gluck composed for Vienna's French theatre is necessarily concerned with not one, but several musical and theatrical cultures. The author's focus is on the musical productions of the French theatre, and the city's other spectacles are discussed mainly insofar as they were affected by the offerings of the Burgtheater's opera and ballet troupes. The tasks for which Gluck received a regular salary were connected mainly with the French theatre; his direct involvement with the German theatre was short-lived, and while he composed numerous Italian operas for the court from 1748 onward, this was never in the capacity of a regular "Hofcompositor".
目次
- Introduction - the context of a reform
- cultural politics in Maria Theresa's Vienna
- the new theatrical order
- Gluck and concerts in the Burgtheater
- Hilverding and the reform of ballet
- Gluck and "Opera-Comique" to 1760
- the French Theatre and the Imperial wedding festivities of 1760
- Angiolini, Gluck, and Viennese ballet-pantomime
- theory into practice - "Orfeo ed Euridice"
- "Opera-Comique" - rivalry with Paris
- after Durazzo. Appendices: repertory of ballets in the Viennese Theatres, 1752-1765
- repertory of "Operas-Comiques" in the Viennese Theatres, 1752-1765
- Gluck's official positions in the Viennese Theatres, 1755-1764.
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