American film and society since 1945
著者
書誌事項
American film and society since 1945
Praeger, 1991
2nd ed. / rev. and expanded by Leonard Quart
- : pbk
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [177]-180) and index
内容説明・目次
- 巻冊次
-
ISBN 9780275933265
内容説明
Auster and Quart survey many of the "public classics" - fictional films whose critical acclaim, awards, or box office appeal indicate a connection with public consciousness - that were produced in the United States since 1945. They analyze the cultural and social meanings evoked by these films, and how the formal elements of these works helped shape cinematic art. Their underlying premise is that if Hollywood is the dream factory, then the post-World War II film helps to unravel some of the central concerns and values of American society from 1945 to the present - from "The Best Years of Our Lives" to "Do the Right Thing". This revised, expanded, and updated edition emphasizes the films of the 1980s, discussing ideologically antithetical Vietnam films like "Platoon" and "Rambo", feminist backlash films like "Fatal Attraction", rural sagas like "Places in the Heart" and "Country", teen films like "Risky Business" and "Back to the Future", and films dealing with the civil rights struggle, black history and black contemporary life such as "Mississippi Burning", "Glory" and "Do the Right Thing".
It also fully explores the contested and contradictory meanings conveyed by many American films such as Sylvester Stallone's "Rambo", which is seen as both a patriotic, pro-war cartoon and a populist attack against government experts and bureaucracy.
目次
- The Forties
- The Fifties
- The Sixties
- The Seventies
- The Eighties.
- 巻冊次
-
: pbk ISBN 9780275933272
内容説明
Quart and Auster survey many of the public classics--fictional films whose critical acclaim, awards, or box office appeal indicate a connection with public consciousness--that have been produced in the United States since 1945. They analyze the cultural and social significance of these films, and how the formal elements of these works helped shape cinematic art. Their premise is that if Hollywood is the dream factory, then the post-World War II film--from The Best Years of Our Lives and Do the Right Thing--helps to unravel some of the central concerns and values of American society between 1945 and the present.
This revised, expanded, and updated edition emphasizes the films of the 1980s, discussing ideologically antithetical Vietnam films such as Platoon and Rambo, feminist backlash films like Fatal Attraction, rural sagas such as Places in the Heart and Country, teen films such as Risky Business and Back to the Future, and films dealing with the civil rights struggle, black history, and black contemporary life such as Mississippi Burning, Glory, and Do the Right Thing. This book also explores the contested and contradictory meanings conveyed by many American films such as Sylvester Stallone's Rambo, which is seen as both a patriotic, pro-war cartoon and a populist attack against government experts and bureaucracy. This uniquely accessible political, cultural, and aesthetic analysis of post-World War II Hollywood films can be read and enjoyed by students, teachers, and the general public alike.
目次
- The Forties
- The Fifties
- The Sixties
- The Seventies
- The Eighties.
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