The fabric of the body : European traditions of anatomical illustration
著者
書誌事項
The fabric of the body : European traditions of anatomical illustration
Clarendon Press, 1992
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注記
Includes bibliography (p. xv-xvi) and index
内容説明・目次
内容説明
This book is a survey and anthology of the major developments, styles and trends in anatomical illustration through more than 700 years. Anatomy, the scientific investigation of the structure of the human body by dissection, was a preoccupation of the renaissance scholars and artists in the universities and academies of Europe. By the mid 1500s sophisticated anatomy books were widely distributed. It was primarily the illustrations rather than the text that spread information on this descriptive science. This book shows how anatomists and their collaborating artists presented the important aspects of their subjects to doctors, medical students and others, coincidentally revealing their attitude to the living and the dead human body. A narrative history of the context in which these illustrations were produced is supplemented by a precise consideration of the anatomy shown in each plate reproduced. This book will appeal to anyone with an academic interest in anatomy, or illustrative art or figure drawing. It is a record of an important aspect of the development of modern medicine and surgery.
目次
- Anatomists, scribes and printers - the beginnings of scientific anatomy - anatomists and humanists - anatomy and illustrations - scribes and printers
- pre-scientific anatomical illustration - gravida figures - frog-like figures - upright figures - early renaissance anatomy - venesection diagrams - fugitive sheets - flap-anatomies
- the beginnings of factual anatomical illustrations - Berengario da Carpi - J.Dryander - G.B. Canano
- Leonardo Da Vinci - the notebooks of Leonardo - the Windsor anatomical manuscripts - anatomy in the notebooks - Leonardo's anatomical methods
- the great leap forward - Andreas Vesalius - Vesalius' methods - the "Fabrica" - the printer and publisher of the "Fabrica" - the wood-blocks - the artists of the "Fabrica" - Geminus' copies of the Vesalian illustrations - printers in Paris (1500-1550) - Charles Estienne - "De dissectione" (1545) - Eustachio and his anatomical plates
- consolidation - Valverde - Coiter, Platter and Bauhin - Pauw, Vesling and Guidi - discoveries in anatomy - Fabrici
- baroque anatomy - an extraordinary convention - Casserio, Spieghel, and Bucretius - Pietro Berrettini de Cortona - Martinez
- illustrated anatomy books in the Netherlands 1650-1800 - the rise of medical science in the Low Countries - Fredrik Ruysch - Theodor Kerckring - the medical school of Leiden - Govard Bidloo - Bernard Siegfried Albinus - Petrus Camper
- the classic tradition develops in Germany - Albrecht von Haller - Johann Gottlieb Walter - Samuel Thomas von Soemmerring
- Italian anatomical engravings circa 1800 - Antonio Scarpa - Antonio Cattani - Paulo Mascagni
- the early work in British anatomy - illustration to 1750 - Thomas Willis - John Browne - William Cowper - William Cheselden - James Douglas - Alexander Munro primus - British obstetrical atlases of the eighteenth century - the rise of the man-midwife - William Smellie - Charles Nicholas Jentry - William Hunter
- British anatomical illustrations, 1775-1830 - the supply of bodies to dissecting rooms - surgeon-anatomists - Alexander Monro "secundus" - John and Charles Bell - Alexander Ramsay - John Lizars - Joesph Swan - an artist's anatomist - George Stubbs
- new methods in anatomical illustration - the Gautier D'Agoty family - Vicq d'Azyr - the origins of lithography - French lithographic atlases - Cloquet, Bourgeru, Bonamy and Beau, and Hirschfield
- the evolution of illustration in modern anatomy texts - Henry Gray - J Ernest S Frazer - the letter development in Germany and Austria - W Spalteholz - E Pernkopf - Brodel and the North American tradition - Max Brodel - J C B Grant - F H Netter - photographic atlases - R M H McMinn and T R Hutchings
- some themes on the book.
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