Two moral interludes
Author(s)
Bibliographic Information
Two moral interludes
(Malone Society reprints, 1991)
Published for the Malone Society by Oxford University Press, c1991
Available at 22 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references
Contents of Works
- Witty and witless / by John Heywood
- Like will to like / by Ulpian Fulwell
Description and Table of Contents
Description
This is an edition of two sixteenth-century interludes. The first, Witty and Witless , which was written by John Heywood, survives in only one manuscript, in the British Library. The text, of around 800 lines, is not in Heywood's hand, but the scribe attributes the play to him at the end of the manuscript. Witty and Witless was intended for performance before Henry VIII, and perhaps dates from soon after 1525 when the King's new jester, Will Somer, arrived at court. It shows the influence of the humanists, especially More and Erasmus. The Malone edition is a typefacsimile, near-diplomatic text, with the customary scholarly apparatus. The other interlude is Ulpian Fulwell's Like Will to Like . This may have been written shortly before it was published, in a quarto edition printed by John Allde in 1568. Two further quartos (one undated, the other 1587) were produced by Allde, but these appear to be reprints, with sophistications and errors which derive from the printing house. The Malone Society edition is a full-size photofacsimile of the first quarto, prepared from photographs of the unique copy in the Bodleian Library.
In the textual notes there is a record of significant variations between the first quarto and the others, and a list of readings which reconstruct parts of the text lost or damaged in the Bodleian copy. Each play is supplied with an introduction, in which there is a discussion of the text, and a brief outline of historical and literary issues. This book is intended for scholars and graduate students of Renaissance drama, textual and bibliographical problems, and social history.
by "Nielsen BookData"