Escape from the wasteland : romanticism and realism in the fiction of Mishima Yukio and Oe Kenzaburo
著者
書誌事項
Escape from the wasteland : romanticism and realism in the fiction of Mishima Yukio and Oe Kenzaburo
(Harvard-Yenching Institute monograph series, 33)
Council on East Asian Studies, Harvard University : Distributed by Harvard University Press, 1991
大学図書館所蔵 全54件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 239-244) and index
内容説明・目次
内容説明
In short stories, novellas, and novels, two major postwar Japanese novelists, Mishima Yukio and Oe Kenzaburo, have explored the alienated life of twentieth-century Japan with an unsparing eye and at times a savage sense of humour. In this study, Susan Napier demonstrates that each author's vivid and often perverse depictions of sex, impotence, emperor worship, and violence are matched by images of romantic alternative realities which offer characters some escape from the banality of their lives. In the case of early works like Mishima's novella "The Sound of Wolves' or Oe's short story "Prize Stock", the mythic contrast to industrialized society may be objectified in the setting. "Our Era", the pain of modern life and the possibility of an alternative may be implied by the characters' sexual longings. In still others, like Mishima's "Patriotism" and Oe's "Seventeen", overt explorations of characters' political beliefs and actions (or inaction) may appear to offer straightforward political messages.
Napier finds similarities as well as contrasts in the work of two writers of radically different political orientations, and places their fiction in the context of post-war Japanese political realities.
目次
- Part 1 The lost garden - beginnings of a mythic alternative: festival days - "The sound of Waves"
- repletion and rhythm - "Prize Stock"
- the sacrifice of the innocent writ large - "Pluck the Buds, Shoot the Kids". Part 2 The wasteland of sex: eroticism in postwar literature
- absence and desire - "Confessions of a Mask" and "Our Era"
- from fantasy to reality - "The Locked Room" and "The Swimming Man". Part 3 Cries in the wasteland - sexual violence: sex begets murder - "Thirst for Love" and "Outcries"
- the intellectual takes action - "Madame de Sade" and "The Sexual Human"
- affirmitave visions - "A Personal Matter" and "Patriotism"
- sexuality and the role of women. Part 4 In search of the garden: when you meet the Buddha, kill the Buddha - "The Temple of the Golden Pavilion"
- the bitter taste for glory - "The Sailor Who Fell from Grace with the Sea"
- summer had passed them by -"Our Era"
- apocalypse now - "The Floodwaters have Come unto my Soul". Part 5 Death and the Emperor - the politics of betrayal: the Emperor and postwar Japan
- oh, my Emperor! - "Patriotism" and "Seventeen"
- from irony to madness - "Runway Horses" and "The Day He Himself Shall Wipe My Tears Away". Part 6 The final quest: you can learn a lot from legends - "The Silent Cry"
- the empty garden - "The Sea of Fertility". Part 7 Mishima, OE, and modern Japan.
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