New vocabularies in film semiotics : structuralism, post-structuralism and beyond
Author(s)
Bibliographic Information
New vocabularies in film semiotics : structuralism, post-structuralism and beyond
（Sightlines）
Routledge, 1992
- : hard
- : pbk
Available at / 30 libraries
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Obihiro University of Agriculture and Veterinary Medicine Library図
: hard037579,
: pbk778/St1020375794 -
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Note
Includes bibliographical references (p. 222-232) and index
Description and Table of Contents
- Volume
-
: hard ISBN 9780415065948
Description
First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
Table of Contents
- Preface
- The Origins of Semiotics
- Cine-semiology
- Film-narratology
- Psychoanalysis
- From realism to intertextuality
- Volume
-
: pbk ISBN 9780415065955
Description
First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature.
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