Semiotics of drama and theatre : new perspectives in the theory of drama and theatre

書誌事項

Semiotics of drama and theatre : new perspectives in the theory of drama and theatre

edited by Herta Schmid and Aloysius Van Kesteren

(Linguistic & literary studies in Eastern Europe, v. 10)

J. Benjamins, 1984

大学図書館所蔵 件 / 19

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注記

English, French, and German

Bibliography: p. [511]-548

内容説明・目次

内容説明

The volume presents perspectives in the theory of drama and theatre that are new for the following reasons: 1) the contributions reflect the international cooperation in developing drama and theatre as well as its theories; 2) this collection is the first attempt of presenting papers within the context of (Analytical) Theory of Science; 3) it is the first consistent set of papers starting from semiotics a s a meta-theory. The volume is divided into four sections: I Fundamental of Theatre Research, II Theory of Drama and Theatre, III Descriptive Theatre Research, IV Applied Theatre Research. The fifth and final section offers a selective bibliography of analytical approaches to drama and theatre.

目次

  • 1. The editors: New Perspectives in the Theory of Drama and Theatre
  • an Introduction
  • 2. I. Fundamentals of Theatre Research
  • 3. Theatre and Drama Research
  • an Analytical Proposition (by Van Kesteren, Aloysius)
  • 4. II. Theory of Drama and Theatre
  • 5. The Algebra of Scenic Situations (by Dinu, Mihai)
  • 6. Evidence et strategies de l'analyse theatrale (by Helbo, Andre)
  • 7. On the Nature of Dramatic Text (by Prochazka, Miroslav)
  • 8. Coherence and Focability: A Contribution to the Analysability of Theatre Discourse (by Tindemans, Carlos)
  • 9. III. Descriptive Theatre Research
  • 10. The Dramatic Dialogue: Oral or Literary Communication? (by Fischer-Lichte, Erika)
  • 11. Music as Theme and as Structural Model in Chekhov's Three Sisters (by Golomb, Harai)
  • 12. Die Strategic der Paradoxie: Zur Logik der Konversation im Dandyismus am Beispiel Oscar Wildes (by Hess-Luttich, Ernest W.B.)
  • 13. The Theatrical Theatre - Evreinov's Contribution to Russian Modernism: An Analysis of The Merry Death (by Hildebrand, Olle)
  • 14. Le role de l'espace scenique dans la lecture du texte dramatique: Quelques observations sur un 'modele' du genre dramatique et sur les Sei personaggi in cerca d'autore de Pirandello (by Jansen, Steen)
  • 15. On Brecht's Notion of Gestus (by Pavis, Patrice)
  • 16. Die Umstrukturierung des theatralischen Zeichens in Cechovs Einakter Predlozenie (Der Heiratsantrag) (by Schmid, Herta)
  • 17. Frames and Metacommunication in Genet's The Balcony (by Sherzer, Dina)
  • 18. Acting and Behaviour: A Study in the Signans (by Veltrusky, Jiri)
  • 19. IV. Applied Theatre Research
  • 20. Towards a Theory of Women's Theatre (by Bassnett, Susan)
  • 21. 'Good guy bad guy' Effects in Political Theatre (by Tan, Ed)
  • 22. V. Bibliography
  • 23. Selective and Incomplete Bibliography of Analytical Approaches to Drama and Theatre (by Van Kesteren, Aloysius)

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