Understanding conversion
著者
書誌事項
Understanding conversion
University Press of Virginia, 1992
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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  アメリカ
注記
"The Page-Barbour lectures for 1990"--T.p. verso
Companion vol. to: Conversion and text
Includes bibliographical references (p. 197-234) and index
内容説明・目次
内容説明
Examines the ways in which people made sense of religious conversion during the 12th century, a critical point in the formation of Western moral values. The book also indicates that the understanding of conversions, rooted in medieval love of indirect and intricate allegorical symbolism, entered the permanent legacy of Western literature and art. The idea of conversion became a mythic strategy of survival in conflict against the world, the flesh and the devil. This book holds that the idea of conversion was a study in aesthetics, specifically in a male aesthetic, combining the brotherhood that violence engendered among warriors with the inexplicable genius of the poet. It explores the ascetic discipline, social myth, and representational art as components in a vast, militantly aggressive education system that served as context defining in the conversion process.
The author of this book begins by explaining the basic critical proposition: that the experience of conversion is quite different from what is called conversion in texts; that no one can grasp the actual experience through texts about it; that Western religious literature displays not one kind of conversion, but an ill-matched repertory of such paradigms, each with a distinctive history; and that the moral imperative to change self and society is embroiled by the idea of conversion, has contributed an enduring, dominant and relentless ideal to Western culture.
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