Forms of the goddess Lajjā Gaurī in Indian art
Author(s)
Bibliographic Information
Forms of the goddess Lajjā Gaurī in Indian art
(Monographs on the fine arts, 49)
Published for College Art Association by Pennsylvania State University Press, 1992
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. 81-86
Includes index
Description and Table of Contents
Description
The artists creating images of Lajja Gauri drew on various ancient symbols of fortune, fertility and life-force to communicate her power through their rich heritage of meanings. As these historical-religious symbols and images were constantly reused and reincorporated, they formed a new and enriched religious context. In the process of recycling, they became empowered cultural metaphors in the language of Indian art. Since there are no texts to explain the figure, this study proceeds from the basis of the objects to derive their meaning. Carol Bolon charts the changes in the goddess' form over a period of more than four centuries, including its possible adoption from tribal worship into Hindu temples, and brings a new appreciation of Lajja Gauri's rich symbolic meanings and cultural context.
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