The Oxford book of the sea
Author(s)
Bibliographic Information
The Oxford book of the sea
Oxford University Press, 1992
- Other Title
-
Sea
Available at 12 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
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  United States of America
Description and Table of Contents
Description
One of the earliest poems in the English language, "The Seafarer", is about the sea. Britain is a maritime culture and it is difficult to think of its history without bringing to mind such figures as Drake, Hawkins, Raleigh, and Nelson. The language itself is suffused with obsolete nautical terms (aloof, taken-aback, above board), and the literature of the sea in both Britain and America is especially rich. In these extracts the sea assumes a variety of guises - from the scourge of small-boat adventurers to Matthew Arnold's "Sea of Faith"; from the colonial road of 16th-century explorers to the fickle intimate of Hemingway's Old Man; from the Ancient Mariner's phantasmagoria to the wave-formations of modern oceanographers; and from the sublime spectacle viewed by Addison and the 18th-century Enlightenment to Edgar Allan Poe's maelstrom. Arranged in chronological order, the extracts form a history of preoccupations with and ideas about the sea. "The Seafarer's" theme of bleak exile gives way to the practical business of Renaissance explorers, and this in turn provides a subject and a range of metaphors for the metaphysical poets, Milton and Dryden.
With the 18th-century sea travel becomes a more gentlemanly pursuit (although often a disagreeable one as Tobias Smollett discovers), but the subduable, if sometimes inconvenient sea is soon whipped up into an archetypal storm by the Romantics. The 19th-century is remarkable for the numbers of writers who turned professional sailors - Melville, Conrad and Masefield to name but three. In their fictions, and in the records of the later single-handed yachtsmen such as Joshua Slocum and Hilaire Belloc, the sea becomes a striking setting for heroism and adventure. In the late 20th-century these romances seem played out, and the fresh investigations into the mechanics and meaning of the sea have been made more by the poets and oceanographers.
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