Dangerous enthusiasm : William Blake and the culture of radicalism in the 1790s
Author(s)
Bibliographic Information
Dangerous enthusiasm : William Blake and the culture of radicalism in the 1790s
Clarendon Press , Oxford University Press, 1992
Available at 26 libraries
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Note
Bibliography: p. [227]-245
Includes index
Description and Table of Contents
Description
William Blake's work presents a stern challenge to historical criticism. Jon Mee's new study meets that challenge by investigating contexts outside the domains of standard literary histories. He traces the distinctive rhetoric of the illuminated books to the French Revolution controversy of the 1790s and Blake's fusion of the diverse currents of radicalism abroad in that decade.
Dangerous Enthusiasm presents a more comprehensively politicized picture of Blake than any previous study. It is supported by a wealth of original research which will be of interest to historians and literary critics alike. Blake emerges from these pages as a `bricoleur' who fused the language of London's popular dissenting culture with the more sceptical radicalism of the Enlightenment. His prophetic books are shown to be less the expressions of isolated genius than the products of a
complex response to the cultural politics of his contemporaries.
Table of Contents
- Blake the bricoleur. "Every Honest Man is a Prophet" - popular enthusiasm and radical millenarianism
- "Northern Antiquities" - bards, druids, and antique liberties
- "Forms of Dark Delusion: - mythography and politics
- Blake, the Bible, and its critics in the 1790s
- conclusion - a radical without an audience?
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