Poetic configurations : essays in literary history and criticism
著者
書誌事項
Poetic configurations : essays in literary history and criticism
Pennsylvania State University Press, c1992
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
内容説明・目次
内容説明
In the vast diversity of Western civilization, poetry has traditions both national and international that span three millennia. To write a coherent critical history of even just lyric poetry would be perhaps beyond human powers, by in his essays Lowry Nelson finds it possible to take soundings-in great epochs of inventiveness and of changing sensibility; in the extremes of expressivity; in the reader's varying fictive role-while setting in appropriate contexts works of such poets as Horace, the early Troubadors, St. John of the Cross, Shakespeare, Wordsworth, Leopardi, Baudelaire, and Vyacheslav Ivanov.
Each essay has a different scope and emphasis within the apparently limitless range of possibilities. Nelson's arrangement of the essays is chronological, though only roughly so; many issues and examples could be explored in other contexts. Yet there is a presiding view of literature that is commonly designated as comparative, stressing some degree of universality; poets happily transgress frontiers and barriers; one tradition absorbs others in its own way, as in the poetics of Roman and medieval Latin, the Provensals, Petrarch and Petrarchism, Symbolism, and Modernism. Nelson observes only one restriction. He concentrates on lyric poetry, although much that he examines can be applied to other forms.
「Nielsen BookData」 より