Vinyl leaves : Walt Disney World and America
著者
書誌事項
Vinyl leaves : Walt Disney World and America
(Institutional structures of feeling)
Westview Press, 1992
- : pbk
大学図書館所蔵 全23件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780813314723
内容説明
Walt Disney World is a pilgrimage site filled with utopian elements, craft, and whimsy. Its a pedestrians world, where the streets are clean, the employees are friendly, and the trains run on time. All of its elements are themed, presented in a consistent architectural, decorative, horticultural, musical, even olfactory tone, with rides, shows, restaurants, scenery, and costumed characters coordinated to tell a consistent set of stories. It is beguiling and exasperating, a place of ambivalence and ambiguity. In Vinyl Leaves Professor Fjellman analyzes each ride and theater show of Walt Disney World and discusses the history, political economy, technical infrastructure, and urban planning of the area as well as its relationship with Metropolitan Orlando and the state of Florida. Vinyl Leaves argues that Disney, in pursuit of its own economic interests, acts as the muse for the allied transnational corporations that sponsor it as well as for the world of late capitalism, where the commodity form has colonized much of human life.
With brilliant technological legerdemain, Disney puts visitors into cinematically structured stories in which pieces of American and world culture become ideological tokens in arguments in favor of commodification and techno-corporate control. Culture is construed as spirit, colonialism and entrepreneurial violence as exotic zaniness, and the Other as child. Exhaustion and cognitive overload lead visitors into the bliss of Commodity Zenthe characteristic state of postmodern life. While we were watching for Orwell, Huxley rode into town, bringing soma, cable, and charge cardsand wearing mouse ears. This book is the story of our commodity fairyland.
目次
* Stalking Woozles * Culture and Context * America and Consumption * Distory: Disney History at the Magic Kingdom * More Distory: Mostly EPCOT Center * Go East, Young Mouse * Lets Make a Deal * Marketing the Magic Mall * The Price Is Right: Main Street USA and Hollywood Boulevard * The Grounds: Spatial Infrastructure * Utopia and Urban Planning * Kungaloosh! The Theme Park World * Cinema, Music, Fantasy * Fantasyland and the Disney-MGM Studios * Consumption and Culture Theory * Natures Gifts: Land, Garden, Sea * Tomorrow and the Future * ComputiCore: Computers, Parades, Lunch * Conclusion: Theses on Disney
- 巻冊次
-
ISBN 9780813314730
内容説明
With the ingenious use of technology, Walt Disney World puts visitors into cinematically-structured stories in which pieces of American and world culture become ideological tokens. In this examination of America's commodity fairyland, the author analyzes each ride and theatre show of Walt Disney World and discusses the history, political economy, technical infrastructure and urban planning of the area, as well as its relationship with Metropolitan Orlando and the state of Florida.
目次
- Stalking woozles
- culture and context
- America and consumption distory
- Disney history at the Magic Kingdom
- more distory
- mostly EPCOT Center
- go east, young mouse
- let's make a deal
- marketing the Magic Mall
- the price is right
- Main Street USA and Hollywood Boulevard
- the grounds
- spatial infrastructure
- utopia and urban planning
- kungaloosh!
- the theme park world
- cinema, music, fantasy
- fantasyland and the Disney-MGM studios
- consumption and culture theory
- nature's "gifts"
- land, garden, sea
- tomorrow and the future
- ComputiCore - computers, parades, lunch
- conclusion - theses on Disney.
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