Painting and the politics of culture : new essays on British art, 1700-1850
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書誌事項
Painting and the politics of culture : new essays on British art, 1700-1850
Oxford University Press, 1992
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
An emerging general awareness of the theoretical issues involved in the study of culture and society, and the new emphasis given to the questions of class, race and gender, has produced an interdisciplinary approach to the study of British art, particularly of the 18th and 19th centuries. These essays are by scholars from various disciplines, many of whom have been at the forefront of this transformation. There are essays on Gainsborough, Joseph Wright of Derby, Turner and Benjamin Robert Haydon; on the teaching of art to women, on 18th-century social theories of painting, and on the representation of industrial landscape, of femininity, and of "exotic" and oriental cultures. This collection should therefore be of interest to scholars and students of the history of art, literature, social history, cultural studies and women's studies.
目次
- Killing pictures, Marcia Pointon
- rewriting Shaftesbury - the "Air Pump" and the limits of commercial humanism, David Solkin
- curiously marked - tattooing, masculinity and nationality in 18th-century British perceptions of the South Pacific, Harriet Guest
- the origin of painting and the ends of art - Wright of Derby's "Corinthian Maid", Ann Bermingham
- Gainsborough's "Diana and Actaeon", Michael Rosenthal
- Loutherbourg's chemical theatre - "Coalbrookdale by Night", Stephen Daniels
- J.M.W. Turner at Petworth - agricultural improvement and the politics of landscape, Alun Howkins
- Benjamin Robert Haydon - the curtius of the Khyber Pass, John Barrell.
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