Naturalism in the European novel : new critical perspectives
著者
書誌事項
Naturalism in the European novel : new critical perspectives
(Berg European studies series)
Berg , Distributed exclusively in the U.S. and Canada by St. Martin's Press, 1992
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注記
Includes bibliographical references (p. 265-274) and index
内容説明・目次
内容説明
Naturalism was the dominant movement in European literary culture during the second half of the 19th century. This book focuses on the poetics, thematics and reception of naturalism, and stresses modern methods of literary analysis.
目次
- Part 1 Poetics: the nature of naturalism, David Baguley
- the naturalist text and the problem of reference, Philippe Hamon
- towards an aesthetic of the naturalist novel, Yves Chevrel
- the genesis of novelistic space: Zola's "La Bete Humaine", Henri Mitterand
- writing history as temporality: Zola's "Rougon-Macquart", James H. Reid. Part 2 Reception: the reception of naturalism in Germany, Joseph Jurt
- the reception of naturalism in Spain, Eamonn Rodgers
- Emilio Pardo Bazan - narrative strategies and the critique of naturalism, Maurice Hemingway
- naturalism and anti-naturalism in Italy, Jonathan Smith
- representing the real - the English debate about naturalism 1884-1900, Lyn Pykett. Part 3 Texts: on monstrous birth - Leopoldo Alas's "La Regenta", Noel Valis
- in the factory - description in Galdos, Peter A. Bly
- Thomas Mann's "Buddenbrooks" - the first and only naturalist novel in Germany, Lilian Furst
- James's lady and Zola's whore - the inscription of the heroine in the text in "The Portrait of a Lady" and "Nana", Valerie Minogue.
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