Cinema, censorship, and the state : the writings of Nagisa Oshima, 1956-1978
著者
書誌事項
Cinema, censorship, and the state : the writings of Nagisa Oshima, 1956-1978
(October books)
MIT Press, c1992
- : hard
- : soft
大学図書館所蔵 全33件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
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注記
Title of French ed.: Ecrits 1956-1978 : dissolution et jaillissement
Filmography: p. [289]-293
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: hard ISBN 9780262150408
内容説明
Nagisa Oshima is generally regarded as the most important Japanese film director after Kurosawa and is one of Japan's most productive and celebrated postwar artists. His early films represent the Japanese New Wave at its zenith, and the films he has made since (including "In the Realm of the Senses" and "Merry Christmas, Mr. Lawrence") have won international acclaim. The more than 40 writings that make up this intellectual autobiography reveal a conjunction of personal candor and political commitment. They trace in vivid and carefully articulated detail the development of Oshima's theory and practice. The writings are arranged in chronological order and cover the period from the mid-1950s to the late 1970s. Following a historical overview of contemporary Japanese cinema, a substantial section articulates the theoretical and political rationale of Oshima's own film production, which he sees as being profoundly influenced by the social formation and political process of postwar Japan.
Among many other topics considered in his essays, Oshima questions the economics of film production, the ethics of the documentary film, censorship (both political and sexual), and the relation of aesthetics and social taboos. A filmography and notes round out this collection.
- 巻冊次
-
: soft ISBN 9780262650397
内容説明
The more than 40 writings that make up this intellectual autobiography reveal a rare conjunction of personal candor and political commitment.
Nagisa Oshima is generally regarded as the most important Japanese film. director after Kurosawa and is one of Japan's most productive and celebrated postwar artists. His early films represent the Japanese New Wave at its zenith, and the films he has made since (including In the Realm of the Senses and Merry Christmas, Mr. Lawrence) have won international acclaim. The more than 40 writings that make up this intellectual autobiography reveal a rare conjunction of personal candor and political commitment. Entertaining, concise, disarmingingly insightful, they trace in vivid and carefully articulated detail the development of Oshima's theory and practice.The writings are arranged in chronological order and cover the period from the mid-1950s to the mid-1980s. Following a historical overview of the contemporary Japanese cinema, a substantial section articulates the theoretical and political rationale of 0shima's film production. Among many other topics considered in his essays, Oshima questions the economics of film production, the ethics of the documentary film, censorship (both political and sexual), and the relation of aesthetics and social taboos.
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