C.F.A. Voysey
Author(s)
Bibliographic Information
C.F.A. Voysey
(Architectural monographs (London, England), no. 19)
Academy Editions , St Martin's Press, 1992
- : uk : HB
- : uk : PB
- : us : HB
- : us : PB
- Other Title
-
CFA Voysey
Available at 13 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Description and Table of Contents
Description
Charles Francis Annesley Voysey, 1857-1941, had an immense reputation in the 1890s and early years of this century. His houses, his furniture and his textiles were greatly admired and widely imitated. But with the outbreak of World War I his architectural career came to an end. He eked out a rather precarious existence, designing textiles and wallpapers, as he faded from the public's memory. In the 1930s Voysey was rediscovered by John Betjeman, the architect writer Raymond McGrath and Nicholas Peusner, McGrath and Peusner treated Voysey as if he was a modern, born before his time. He was nothing of the sort; he was a great 19th-century architect, the greatest Victorian domestic architect. Voysey emerged as an architect with a distinctive style in the 1890s. His work was widely publicised in avant garde periodicals like "The Studio" as well as in Continental journals. Intellectuals quickly seized upon the idea of the Voysey House, H.G. Wells commissioned a Voysey House. Other Voysey clients included well known writers, publishers and artists. Voysey, unlike many architects of his day, still has much to teach us.
His architecture is gentle, eminently civilized, but never dull or timid. His houses were built of simple materials, they related perfectly to sites. Voysey, as an architect, was a green.
by "Nielsen BookData"