James Joyce's A portrait of the artist as a young man
著者
書誌事項
James Joyce's A portrait of the artist as a young man
(Critical studies of key texts)
Harvester Wheatsheaf, 1992
- : hbk
- : pbk
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780745006789
内容説明
This new study of "A Portrait of the Artist ..." uses Bakhtin's theory of dialogics to explore the ways in which Joyce dramatizes the growth of Stephen Dedalus through his interactions with the "voices" of his culture. A number of overlapping sections consider the different phases to this growth starting with Stephen's attempts to locate himself in relation to the voices of his fellow pupils and his masters. Bakhtin's notion of "heteroglossia", which asserts the multivocal nature of novelistic texts, is used to look at questions of the Church's authority, of gender and of culture in the novel. Attention is also given to the novel's concern with the linguistic ferment in Ireland in 1890 and to Stephen's attempts at poetic composition. Stephen's growing interest in the theatre is explored, and his efforts to control his dialogues with fellow students are analyzed. The study concludes with an examination of Stephen's diary as an internalized dialogue with himself.
目次
- Historical and cultural context
- critical reception
- theoretical perspectives
- critical discussions of the text
- guide to further reading.
- 巻冊次
-
: pbk ISBN 9780745006796
内容説明
This new study of "A Portrait of the Artist ..." uses Bakhtin's theory of dialogics to explore the ways in which Joyce dramatizes the growth of Stephen Dedalus through his interactions with the "voices" of his culture. A number of overlapping sections consider the different phases to this growth starting with Stephen's attempts to locate himself in relation to the voices of his fellow pupils and his masters. Bakhtin's notion of "heteroglossia", which asserts the multivocal nature of novelistic texts, is used to look at questions of the Church's authority, of gender and of culture in the novel. Attention is also given to the novel's concern with the linguistic ferment in Ireland in 1890 and to Stephen's attempts at poetic composition. Stephen's growing interest in the theatre is explored, and his efforts to control his dialogues with fellow students are analyzed. The study concludes with an examination of Stephen's diary as an internalized dialogue with himself.
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