London : world city, 1800-1840
著者
書誌事項
London : world city, 1800-1840
Yale University Press in association with the Museum of London, 1992
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注記
"The exhibition is mounted by and the catalogue published with the assistance of Kulturstiftung Ruhr, Essen. Exhibition dates: 6 June-8 November 1992, Villa Hügel, Essen"--T.p. verso
Bibliography: p. 616-623
内容説明・目次
内容説明
This book provides a portrait of the city of London in a period when Britain enjoyed cultural, artistic, technological and material pre-eminence. It was a time when the foundations were laid for much later wealth and power. The importance of Britain in the early 19th century has been taken up by the Kulturstiftung Ruhur in Essen, who, in co-operation with the Museum of London have mounted an historical exhibition at the Villa Hugel near Essen (June-December 1992), for which this book serves as the catalogue. The exhibition itself is very broad in scope, ranging from artistic masterpieces by Turner and Constable through scientific and technological wonders of the age.
目次
- Introduction: a visitor's guide to metropole London, Celina Fox (Museum of London)
- London and the world, Martin Daunton (University College London)
- pantomime and pagentry - the coronation of George VI, Valerie Cumming (Museum of London)
- the building art of the first industrial metropolis, Andrew Saint (English Heritage)
- metropolitan improvements - John Nash and the picturesque, J. Mordaunt Crook (Bedford and Royal Holloway College, University of London)
- Rudolph Ackerman, Simon Jervis (Fitzwilliam Museum, Cambridge)
- patronage and the applied arts in 19th-century London, Clive Wainwright (Victoria and Albert Museum)
- scientific London, Iwan Morus et al (University of Cambridge)
- "Athens rising near the Pole" - London, Athens and the idea of freedom, Ian Jenkins (British Museum)
- the London art world and its institutions, Peter Funnell (National Portrait Gallery)
- painting in London in the early 19th century, Andrew Wilton (Tate Gallery)
- hidden metropolis - London in sentimental and romantic writing, Marilyn Butler (University of Cambridge)
- departing glories of the British theatre - setting suns over a neo-classical landscape, Iain Mackintosh (theatre historian)
- radical culture, H.T. Dickinson (University of Edinburgh).
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