The Oriental obsession : Islamic inspiration in British and American art and architecture, 1500-1920
著者
書誌事項
The Oriental obsession : Islamic inspiration in British and American art and architecture, 1500-1920
(Cambridge studies in the history of art / edited by Francis Haskell and Nicholas Penny)
Cambridge University Press, 1991, c1987
- : pbk
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 300-310
Includes index
内容説明・目次
内容説明
The Oriental Obsession begins in the early sixteenth century with Cardinal Wolsey waiting two years for the delivery of sixty rare Turkey carpets from Venice, and ends in the age of the great exhibitions and emporia on both sides of the Atlantic, before and after 1900, when Islamic objects were seen, appreciated, and bought by millions of the public. The book is concerned with a subject which has not been treated before - the history over four centuries of Islamic artistic traditions and European ideas of Islam as they affected the visual arts of the west and particularly the English-speaking peoples. Studies of individual aspects have been made previously, but this is the first time that an attempt has been made to consider the subject as a whole. The geographical purview extends from Moorish Spain in the west to British India in the east and, besides architecture, the activities that are involved include painting, ceramics, textiles, metalwork, furniture and bookcrafts.
目次
- List of illustrations
- Preface
- Introduction
- 1. 1500 to 1660: the growing impetus
- 2. 1660 to 1750: the connoisseurs of spectacle
- 3. 1750 to 1820: models east of Rome
- 4. After 1820: the painters' vision
- 5. After 1850: the design reformers
- 6. The American story
- Conclusion
- Appendices
- Notes
- Bibliography
- Index.
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