British photography in the nineteenth century : the fine art tradition
著者
書誌事項
British photography in the nineteenth century : the fine art tradition
Cambridge University Press, 1989
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注記
Bibliography: p. [297]-300
Includes index
内容説明・目次
内容説明
The 22 essays in this book aim to be lucid and accessible, and examine the work of 17 fine art photographers from a cultural and critical perspective. The aesthetic qualities of photographers such as Fox Talbot and Roger Fenton are examined, as is the relationship between art and science.
目次
- The camera and the other drawing machines, Doug Nickel
- Henry Fox Talbot - conversation pieces, Mike Weaver
- "Born like Minerva" - D.O.Hill and the origins of photography, Duncan Macmillan
- David Octavius Hill and Robert Adamson, Sara Stevenson
- Calvert Richard Jones of Swansea, Rollin Buckman
- John Dillwyn Llewelyn - instantaneity and transcience, Christopher Titterrington
- Benjamim Brecknell Turner, Mark Haworth-Booth
- photography and topography - Tintern Abbey, David Harris
- Roger Fenton - landscape and still life, Mike Weaver
- O.G.Rejlander - art studies, Stephanie Spencer
- Henry Peach Robinson - the grammar of art, Margaret F.Harker
- Clementina, Viscountess Hawarden - "Studies from Life", Virginia Dodier
- Julia Margaret Cameron - the stamp of divinity, Mike Weaver
- aesthetic aspects of the photomechanical print, Anne Kelsey Hammond
- art and science in P.H.Emerson's naturalistic vision, Ellen Handy
- the correspondence between P.H.Emerson and J.Harvard Thomas, Fiona Pearson
- Emerson overturned - "On English Lagoons" and "Marsh Leaves", Ian Jeffrey
- George Davidson - impressionist and anarchist, Brian Coe
- Frederick Evans - the spiritual harmonies of architecture, Anne Kelsey Hammond
- J. Craig Annan and D.Y.Cameron in North Holland, William Buchanan
- Adolf de Meyer - "L'Apres-midi d'un faune", Michele Penhall
- Malcolm Arbuthnot - the end of pictorialism, Melinda Boyd Parsons.
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