The art of fiction : illustrated from classic and modern texts
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書誌事項
The art of fiction : illustrated from classic and modern texts
（Penguin books）
Penguin, 1992
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注記
"Originally published in The independent on Sunday, 1991-2. This edition first published by Martin Secker & Warburg, 1992"--T.p. verso
Bibliography: p. 231-235
Includes index
内容説明・目次
内容説明
"The Art of Fiction" is essential, thoroughly entertaining reading for writers, students and anyone who wants to understand how literature works. The articles by David Lodge, which first appeared in the "Independent on Sunday", are expanded here and consider the subject under a wide range of headings such as 'The Intrusive Author', 'Suspense' and 'Magic Realism'. Styles and techniques are illustrated in each case by passages from classic or modern fiction. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, Lodge also demonstrates the richness and variety of British and American fiction.
目次
The Art of Fiction - David Lodge Preface
1. Beginning (Jane Austen, Ford Madox Ford)
2. The Intrusive Author (George Eliot, E. M. Forster)
3. Suspense (Thomas Hardy)
4. Teenage Skaz (J.D. Salinger)
5. The Epistolary Novel (Michael Frayn)
6. Point of View (Henry James)
7. Mystery (Rudyard Kipling)
8. Names (David Lodge, Paul Auster)
9. The Stream of Consciousness (Virginia Woolf)
10. Interior Monologue (James Joyce)
11. Defamiliarization (Charlotte Bronte
12. The Sense of Place (Martin Amis)
13. Lists (F. Scott Fitzgerald)
14. Introducing a Character (Christopher Isherwood)
15. Surprise (William Makepeace Thackeray)
16. Time-Shift (Muriel Spark)
17. The Reader in the Text (Laurence Sterne)
18. Weather (Jane Austen, Charles Dickens)
19. Repetition (Ernest Hemingway)
20. Fancy Prose (Vladimir Nabokov)
21. Intertextuality (Joseph Conrad)
22. The Experimental Novel (Henry Green)
23. The Comic Novel (Kingsley Amis)
24. Magic Realism (Milan Kundera)
25. Staying on the Surface (Malcolm Bradbury)
26. Showing and Telling (Henry Fielding)
27. Telling in Different Voices (Fay Weldon)
28. A Sense of the Past (John Fowles)
29. Imagining the Future (George Orwell)
30. Symbolism (D. H. Lawrence)
31. Allegory (Samuel Butler)
32. Epiphany (John Updike)
33. Coincidence (Henry James)
34. The Unreliable Narrator (Kazuo Ishiguro)
35. The Exotic (Graham Greene)
36. Chapters etc. (Tobias Smollett, Laurence Sterne, Sir Walter Scott, George Eliot, James Joyce)
37. The Telephone (Evelyn Waugh)
38. Surrealism (Leonora Carrington)
39. Irony (Arnold Bennett)
40. Motivation (George Eliot)
41. Duration (Donald Barthelme)
42. Implication (William Cooper)
43. The Title (George Gissing)
44. Ideas (Anthony Burgess)
45. The Non-Fiction Novel (Thomas Carlyle)
46. Metafiction (John Barth)
47. The Uncanny (Edgar Allan Poe)
48. Narrative Structure (Leonard Michaels)
49. Aporia (Samuel Beckett)
50. Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names
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