Japanese Nō dramas
Author(s)
Bibliographic Information
Japanese Nō dramas
(Penguin classics, . Penguin literature/drama)
Penguin, 1992
Available at 88 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [344]-360
"Each play is accompanied by full notes and stage directions ... offering new interpretations."--Back cover
Contents of Works
- Ama = The diver
- Atsumori
- Aya no tsuzumi = The damask drum
- Chikebu-shima
- Eguchi
- Funa Benkei = Benkei aboad ship
- Hagoromo = The feather mantle
- Hanjo = Lady Han
- Izutsu = The well-cradle
- Kantan
- Kasuga ryūjin = The Kasuga dragon god
- Kinuta = The fulling block
- Kureha
- Matsukaze = Pining wind
- Nonomiya = The Wildwood Shrine
- Saigyō-zakyra = Saigyō's cherry tree
- Seki-dera Komachi = Komachi at Seki-dera
- Semimaru
- Sumida-gawa = Sumida River
- Tadanori
- Takasago
- Tatsuta
- Yamamba = The mountain crone
- Yashima
Description and Table of Contents
Description
Japanese no theatre or the drama of 'perfected art' flourished in the fourteenth and fifteenth centuries largely through the genius of the dramatist Zeami. An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of 'form' is more central than 'meaning' and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.
Table of Contents
- Japanese names and the pronunciation of Japanese
- list of terms used in stage directions
- plan of the No stage
- Ama - "The Diver"
- Atsumori
- Aya no tsuzumi - "The Damask Drum"
- Chikubu-shima
- Eguchi
- Funa Benkei - "Benkei Aboard Ship"
- Hagoromo - "The Feather Mantle"
- Hanjo - "Lady Han"
- Izutsu - "The Well-Cradle"
- Kantan
- Kasugo ryujin - "The Kasuga Dragon God"
- Kinuta - "The Fulling Block"
- Kureha
- Matsukaze - "Pining Wind"
- Nonomiya - "The Wildwood Shrine"
- Saigyo-zakura - "Saigyo's Cherry Tree"
- Seki-dera Komachi - Komachi At Seki-Dera"
- Semimaru
- Sumida-gawa - "The Sumida River"
- Tadanori
- Takasago
- Tatsuta
- Yamamba - "The Mountain Crone"
- Yashima.
by "Nielsen BookData"