Projections : a forum for film-makers

著者

• Boorman, John
• Donohue, Walter
• Lippy, Tod

書誌事項

Projections : a forum for film-makers

edited by John Boorman and Walter Donohue

Faber and Faber, 1992-

• [1] : pbk
• 2
• 3
• 4
• 4 1/2
• 5
• 6
• 7
• 8
• 9
• 10
• 11
• 12

タイトル別名

Projections : film-makers on film-making

Projections : New York film-makers on New York lim-making

注記

Subtitle of 3,4, 4 1/2: Film-makers on film-making

Subtitle of 11: New York film-makers on New York lim-making

11: edited by Tod Lippy ; executive editors, John Boorman and Walter Donohue

内容説明・目次

巻冊次

[1] : pbk ISBN 9780571167296

内容説明

Projections is a forum for practitioners of the cinema to write about their work. The first issue includes a journal compiled by John Boorman which records his responses to the events and trends of 1991, and their implications for the future of cinema. Like his Emerald Forest diary, Money into Light, it is a fascinating mix of anecdote, personal reflections, thoughts on the nature of cinema, and comments on the practical business of making films. Projections also contains contributions from cinematographer Nestor Almendros, who describes the craft of photographing the human face, and from Jonathan Demme, who traces the evolution of his career from his early days with Roger Corman to his chilling Silence of the Lambs. River Phoenix and Gus Van Sant discuss their work together on My Own Private Idaho; there is a script from one of the most original talents in American today, Hal Hartley, and a penetrating account by director Michael Mann of his startling new version of Last of the Mohicans.

巻冊次

2 ISBN 9780571168286

内容説明

Projections 2 highlights Robert Altman, whose film The Player restored him to his proper place in cinema's pantheon. Actor Tim Robbins, who memorably incarnated Griffin Mill in The Player, has written, directed and acted in Bob Roberts, the script of which is printed here in full. And another actor, Willem Dafoe, describes how he approaches his craft. There are also pieces by Belgian director Jaco van Dormael, New Zealand director Alison Maclean and Australian director George Miller, who charts the journey he has made from Mad Max to the (then) eagerly awaited Lorenzo's Oil. Finally, Bertrand Tavernier's diary records the evolution of his controversial film L627 against the shifting European cultural landscape.

巻冊次

3 ISBN 9780571170470

内容説明

Projections is a forum for film-makers in which the practitioners of cinema write about their craft. The centrepiece of this issue is the journals of Francis Ford Coppola, whose films, such as the Godfather trilogy and Apocalypse Now, are considered masterworks of contemporary cinema. This volume also contains articles by leading film-makers about the state of the art at this moment. Included in this volume: Francis Ford Coppola - Journals 1989-1993 Chen Kaige on Chinese Cinema Sydney Pollack on Directing Actors Allan Starski - Art Direction: Wajda to Spielberg Hal Willner - Making Music for Short Cuts Michael Almereyda on Pixelvision Kasdan on Kasdan Michael Tolkin on Screenwriting Art Linson on Producing Quentin Tarantino - The Director as Writer Sally Potter - Orlando Diary Gus Van Sant on Hollywood Richard Stanley - Dust Devil Diary Hal Hartley - Flirt Zrinko Ogresta - Cry from Croatia.

巻冊次

4 ISBN 9780571173631

内容説明

Projections is a forum for film-makers in which the practitioners of cinema write about their craft. In this edition we celebrate the centenary of film with articles ranging from an interview with Louis Lumiere - the inventor of the cinema - to James Toback's tales of contemporary Hollywood. Included in Projections 4: Louis Lumiere - Founding Father Martin Scorsese - Anamorphobia James Toback - A Journal for 1994 Penn on Penn Ken Burns - Raising the Dead Sidney Howard - The Gone with the Wind Letters and The Story Gets a Treatment Louis Malle, Andre Gregory, Wallace Shawn, Julianne Moore, Fred Berner, Larry Pine - Chekhov's Children Walter Murch - Sound Design: The Dancing Shadow Eddie Fowlie - Playing Cowboys and Indians John Seale - Lunch and a Book Gene Kelly - An American in Paradise Sally Potter - The Tango Lesson Federico Fellini - Creation and the Artist Viggo Mortensen - Missing Sandy Dennis Lindsay Anderson - On John Ford This edition also includes contributions by Percy Adlon, Kevin Brownlow, Roger Corman, Alex Cox, Andre de Toth, Nora Ephron, Monte Hellman, Huang Mingchuan, Richard Lowenstein, Dusan Makavejev, Arthur Penn, Vincent Sherman, Istvan Szabo, Michael Tolkin, Vincent Ward and Fred Zinneman.

巻冊次

4 1/2 ISBN 9780571176090

内容説明

When the door of the Lumiere factory opened to release the workers, it was more than just the end of the day - it was the beginning of a brand new art form that has shaped the consciousness of the twentieth century. This very first moment of the very first film gave birth to other moments that are cherished in the recollections of people all over the world. In this issue we collaborated with the French film magazine Positif. The centrepiece of this issue came to us from Positif. For their 400th issue Positif asked the film-makers with whom they had forged a special relationship over the past forty years to write about the films, directors and actors who have had a special significance for them. An array of seventy international film-makers - including Altman and Angelopoulos, Chabrol and the Coens, Eastwood and Frears, Kazan and Kieslowski, Leigh and Loach, Makavejev and Marker, Ophuls and Penn, Resnais and Rohmer, Rosi and Rudolph, Tavernier and the Tavianis, Varda and Zulawski, among others - responded, and we present this treasure trove of film-making comment as a way of celebrating the 100 years of cinema. 1995 was also the centenary of Buster Keaton. In honour of this, Kevin Brownlow - noted film-maker, historian and restorer of the silent cinema - recounts the making of Keaton's masterpiece, The General.

巻冊次

5 ISBN 9780571178117

内容説明

PROJECTIONS is a forum for film-makers where - like dispatches from the front - practitioners of cinema write about their craft. In this year's issue there is a special focus on the art of animation, with interviews with the father-figure of stop-motion animation, Ray Harryhausen, and its leading exponents in Britain, Nick Park, and in the US, Henry Selick. Jamie Lee Curtis & Tony Curtis - Some Like It Dark Quentin Tarantino & Brian de Palma - Emotion Pictures Ray Harryhausen - Animation and Dynamation Nick Park - A Lot Can Happen in a Second Henry Selick - Bringing Things to Life by Hand Simon Pummell - Cutting Off Their Tails with a Carving Knife Annaud On Annaud Fred Zinnemann - A Little Tea, A Little Chat James Stewart - Learning Your Craft Todd Haynes, Julianne Moore, Christine Vachon - Making Safe Chris Buck - Portfolio William Wellman - A Tribute Walter Donohue - Adventures in a Light Industry Louis Malle - In Memoriam

巻冊次

6 ISBN 9780571178537

内容説明

Containing the series of Masterclass lectures given at the 1995 Edinburgh Film Festival, this book includes Robert Towne talking about "Chinatown", the Coen brothers discussing their films, screenwriter Suso Cecchi D'Amico talking about working with Visconti, and Walter Murch discussing the editing of Fred Zinnemann's "Julia". There are also contributions from Stephen Soderbergh and Susan Sarandon, and the veteran film-maker Stanley Donen recalls a career which includes "Singin' in the Rain" and other Gene Kelly musicals. The diary is by Taiwanese film-maker Edward Yan, and also featured is George Lucas, creator of "Star Wars" and "Indiana Jones".

巻冊次

7 ISBN 9780571190331

内容説明

The centrepiece of this issue comes from the celebrated French film magazine, Cahiers du Cinema. For their 500th issue Martin Scorsese contributed material not only about his own work - including his relationship with Robert de Niro - but also about film-makers he admires: those of his generation (Coppola, De Palma, Lucas and Spielberg), as well as those film-makers whose legacy enriches cinema today (Ford, Raoul Walsh, Ida Lupino, Hitchcock, John Cassavetes). He celebrates the glories of the British cinema, and concludes by posing five essential questions about film. Other contributors include: Jamie Lee Curtis - In Conversation with Janet Leigh and Lillian Burns Hippolyte Girardot - Never Forget Mastroianni Frances Mcdormand & Willem Dafoe - Acting is Believing Robert Mitchum - Looking Like Nothing Matters Brian Cox - Manhunter Leslie Caron - The L-Shaped Room Sylvia Syms - Victim Teresa Wright - Shadow of a Doubt Jaco van Dormael - Life Lessons Bebe Barron - Making Music for Forbidden Planet Christopher Porter - Photographing Dead Man Frank Capra/Douglas Sirk - A Centenary Tribute William K. Everson/Marcello Mastroianni - In Memoriam

巻冊次

8 ISBN 9780571193554

内容説明

In this eighth title in a series in which film-makers discuss their art, there is a focus on critics and criticism. Critics themselves are asked what they think about the state of film criticism and their relationship and responsibility to film and film-makers, and what they dream about. And film-makers are asked about how they regard the critics. This issue also contains articles and interviews with practitioners of film, including a diary from the set of the Coen brothers' film, "The Big Lebowski", and a conversation with Michael Ondaatje, editor of "The English Patient".

巻冊次

9 ISBN 9780571193561

内容説明

This issue of "Projections" celebrates French cinema by using the interviews conducted by "Positif" magazine with the major French film-makers of the past 50 years. The book presents a panorama of French cinema ranging from the aesthetic masterpieces of Robert Bresson to the searing aggression of Mathieu Kassovitz's La Haine, including along the way the masters of the French New Wave: Alain Resnais, Eric Rohmer and Claude Chabrol. Over the past 50 years French cinema has exhibited an incredible ability to renew itself and to not only flourish in the face of competition from English-language film-making, but also to create masterpieces of cinema unparalleled anywhere in the world, and this collection of interviews sheds new light on the reasons behind this resilience.

巻冊次

10 ISBN 9780571193578

内容説明

Ever since his first journey to Hollywood in 1987, director Mike Figgis has been intrigued by the workings of The System. As he progressed from his acclaimed US debut Internal Affairs (1990), through hellish studio wrangles on Mr Jones (1994), to Oscar-laurelled success with Leaving Las Vegas (1996), Figgis always wanted to find a way to document the mores of the Hollywood system before it could swallow him whole. For Projections, he accepted an invitation to return to Los Angeles in late 1998 and create just such a document.The format is simple: a series of taped conversations with film-makers - directors, actors, writers, managers, agents. And these are real conversations - no prepared lists of questions. What emerges is a fairly dark image of an industry where money does more than talk.Mike Figgis's witnesses include: Mel Gibson, Jodie Foster, Mickey Rourke, Nastassja Kinski, Elizabeth Shue, Salma Hayek, Paul Thomas Anderson, Jerry Bruckheimer and many more.

巻冊次

11 ISBN 9780571205912

内容説明

Why live and work as a film-maker in New York rather than Hollywood? The birthplace of US cinema, New York has played a hugely influential role in its evolution - particularly in the realm of more personal, 'independent' film-making of figures from Sam Fuller to John Cassavetes. Now Projections 11 seeks to answer Mike Figgis' Los Angeles issue Projections 10 by interviewing film-makers who base themselves in New York, creating an East coast alternative to Hollywood. Tod Lippy speaks to Spike Lee, Jim Jarmusch, Sidney Lumet, Christine Vachon, David O. Russell, Nora Ephron, Tim Robbins, Frances McDormand, and many others.

巻冊次

12 ISBN 9780571206940

内容説明

Film schools have nurtured successive generations of cinematic talent over the last three decades. But in the new digital era, do they still have a place? From Paris to Prague, London to Lodz, New York to Los Angeles, film schools sprung up around the globe in the 1960s and helped to revolutionise cinema. Now, recent graduates Fraser MacDonald and Oren Moverman explore the past, present, and future of film education in a series of wide-ranging dialogues with current teachers and celebrated alumni. MacDonald concentrates on the British and European scene and asks whether the recent 'renaissance' in British production owes a debt to the gifted recent graduates of the academies, while Moverman focuses on the famous schools of the American east coast. The volume also includes interviews with gifted new directors Pawel Pawlikowski ("Last Resort"), Francois Ozon ("Water Drops on Burning Rocks"), Bruno Dumont ("L'Humanite"), and Walter Salles ("Central Station"). Plus Peter Weller's diary of working with Michelangelo Antonioni, and a short story of backstage life from Ethan Hawke.

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詳細情報

• NII書誌ID(NCID): BA19001126
• ISBN:
  • 0571167292
  • 0571168280
  • 0571170471
  • 0571173632
  • 0571176097
  • 0571178111
  • 0571178537
  • 0571190332
  • 0571193552
  • 0571193560
  • 0571193579
  • 0571205917
  • 0571206948
• 出版国コード: uk
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: London
• ページ数/冊数: v.
• 大きさ: 24 cm
• 件名:
  • LCSH : Motion pictures -- Periodicals