The opera
著者
書誌事項
The opera
（Anthology of music : a collection of complete musical examples illustrating the history of music, no. 38,
Arno Volk Verlag , Sole distributors for the U.S.A., MCA Music, c1971-c1975
- 1 : 17th century
- 2 : 18th century
- 3 : 19th century
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大学図書館所蔵 件 / 全15件
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注記
Italian, German, French, Polish, Czech and Russian; English translations also printed as texts
Principally for solo voice(s) and piano
Introduction translated from the German by Robert Kolben (v. 1-2), A.C. Howie (v. 3)
収録内容
- v. 1. Dalle più alte sfere : solo madrigal from the 1st intermezzo of "La pellegrina" : Florence 1589 / Antonio Archilei
- Per quel vago boschetto : messenger scene from "L'Euridice" : Florence 1600 / Giulio Caccini
- Piange ninfe : lament from "La Dafne" : Mantua 1608 / Marco da Gagliano
- Possente spirto : Orpheus' lament from "L'Orfeo" : Mantua 1607 / Claudio Monteverdi
- Partiti, move il piè : Ulysses and the suitors from "Il ritorno d'Ulisse in patria" : Venice 1641 / Claudio Monteverdi
- O morte gradita : Alessio's aria from "Il San Alessio" : Rome 1632 / Stefano Landi
- Düstere Wolken : thunderstorm scene from "Seelewig" : Nuremberg 1644 / Sigmund Theophil Staden
- Son quì, che, che, chiedi? : stutter scene from "Il Giasone" : Venice 1649 / Francesco Cavalli
- Sposa, figlio, hor è tempo : death scene from "Il Pompeo Magno" : Venice 1666 / Francesco Cavalli
- Ah quanto è vero : Venus' aria from "Il pomo d'oro" : Vienna 1668 / Marc' Antonio Cesti
- S'un Ercole amante : Ottone's aria from "L'Adelaide" : Venice 1672 / Antonio Sartorio
- Giosci alma mia : Gisilla's aria from "L'Adelaide" : Venice 1672 / Antonio Sartorio
- Voi ninfe d'amore : Fama's aria from "Antonino e Pompejano" : Venice 1677 / Antonio Sartorio
- Bei fioretti : Alinda's aria from "Il Candaule" : Venice 1679 / Pietro Andrea Ziani
- Si bella bocca : Alinda's and Candaule's aria from "Il Candaule" : Venice 1679 / Pietro Andrea Ziani
- Che ti feci : Candaule's aria from "Il Candaule" : Venice 1679 / Pietro Andrea Ziani
- Lasciami gelosia : Claudio's aria from "Messalina" : Venice 1680 / Carlo Pallavicini
- Voglio goder ogn'hora : Messalina's aria from "Messalina" : Venice 1680 / Carlo Pallavicini
- Vitaliano, il di cui nome vola : farewell scene from "Il Giustino" : Venice 1683 / Giovanni Legrenzi
- Komm! ach komm! O süßer Tod : Dorisbe's aria from "Orontes" : Hamburg 1678 / Johann Theile
- Was ist doch das menschliche Leben : from "Cara Mustapha" : Hamburg 1686 / Johann Wolfgang Franck
- Kanstu dieses Unrecht sehen : Bassa Ibrahim's aria from "Cara Mustapha" : Hamburg 1686 / Johann Wolfgang Franck
- Wiltu der Gesundheit pflegen : Barac's aria from "Cara Mustapha" : Hamburg 1686 / Johann Wolfgang Franck
- Bleibt immer der Schmerze, mein Herze, bei dir? : Murat's aria from "Bajazeth und Tamerlan" : Hamburg 1690 / Johann Philipp Foertsch
- Da mein Leben mir entweichet : Daliso's aria from "Erindo" : Hamburg 1693 / Johann Sigismund Kusser
- Dans le piège fatal : slumber scene from "Armide" : Paris 1686 / Jean-Baptist Lully
- Gott ist König auf der Welt : angels' chorus from "Nebukadnezar" : Zittau 1684 / Johann Philipp Krieger
- Die regia salma : ghost scene from "Servio Tullio" : Munich 1685 / Agostino Steffani
- Le saette del Tonante : Alarico's aria from "Alarico" : Munich 1687 / Agostino Steffani
- Per vostro onor un fulmine vibrate : Rosaura's aria from "La Rosaura" : Rome 1690 / Alessandro Scarlatti
- Chi ben ama : Termanzia's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli
- In quel piè legato ho il core : Placidia's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli
- Vacillante è il regno mio : Onorio's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli
- Suivons l'aimable paix : Termanzia's aria from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli
- Usignoli, che cantate per amor : aria (duet) Termanzio-Onorio from "Onorio in Roma" : Venice 1692 / Carlo Francesco Pollaroli
- v. 2. Appearance of Venus : from Hésione (Paris 1701) / André Campra
- Croesus' aria : from Croesus : (Hamburg 1710) / Reinhard Keiser
- Silvamire's aria : from L'inganno fedele : (Hamburg 1714) / Reinhard Keiser
- Emma's aria : from Emma und Eginhard : (Hamburg 1728) / Georg Philipp Telemann
- Almirena's aria : from Rinaldo : (London 1711) / George Frederick Handel
- Gualtiero's aria : from La Griselda : (London 1722) / Giovanni Battista Bononcini
- Arianna's recitative and aria : from Il Giustino : (Rome 1724) / Antonio Vivaldi
- Pimpinone's aria : from Pimpinone : (Hamburg 1725) / Georg Philipp Telemann
- Claudius' aria : from Ludovicus Pius : (Brunswick 1726) / Georg Caspar Schürmann
- The beggar's opera : (London 1728). Rinaldo march / Johann Christoph Pepusch
- Sir John's air : from The devil to pay : (London 1731) / Mr. Seedo
- Ezio's recitative : from Ezio : (Naples 1730) / Johann Adolf Hasse
- Les Incas de Pérou : from Indes Galantes : (Paris 1735). Song to the sun / Jean-Philippe Rameau
- Andromaca's aria : from L'Andromaca : (Naples 1742) / Leonardo Leo
- Leucippo's aria : from Leucippo : (Dresden 1747) / Johann Adolf Hasse
- Montezuma's aria : from Montezuma : (Berlin 1755) / Carl Heinrich Graun
- Orfeo's aria : from Orfeo ed Euridice : (Vienna 1762) / Christoph Willibald Gluck
- Annette's ariette : from Annette et Lubin : (Paris 1762) / by Marie-Justine and Charles-Simon Favart ; music by Benjamin de la Borde
- Lieschen's song : from Die Liebe auf dem Lande : (Leipzig 1768) / Johann Adam Hiller
- Tagliaferro's aria : from La Buona Figluola : (Rome 1760) / Nicola Piccinni
- Fetonte's accompanied recitative and aria : from Fetonte : (Ludwigsburg 1768) / Niccolò Jommelli
- Louise's air : from Le déserteur : (Paris 1769) / Pierre-Alexandre Monsigny
- Aspasia's accompanied recitative and aria : from Mitridate, Rè di Ponto : (Milan 1770) / Wolfgang Amadeus Mozart
- Recitative of Alceste and Admetus, and Alceste's aria : from Alceste : (Wermar 1773) / Anton Schweitzer
- Medea : (Leipzig 1775) / Georg Benda
- Sophie's song : from Die Bergknappen : (Vienna 1778) / Ignaz Umlauff
- v. 3. La vestale : Paris 1807. Julia's arioso and recitative from act II / Gasparo Spontini
- La muette de Portici : Paris 1828. Scene and beginning of the finale from act II / Daniel François Esprit Auber
- Les Huguenots : Paris 1836. Excerpt from the finale of act IV / Giacomo Meyerbeer
- Joseph : Paris 1807. Joseph's aria : act I, scene 1 / Etienne Nicolas Méhul
- Fra Diavolo : Paris 1830. Scene with Zerline's prayer : act II, scene 10 / Daniel François Esprit Auber
- Dinorah (La pardon de Ploermel) : Paris 1859. Invocation scene from act I / Giacomo Meyerbeer
- Philémon et Baucis : Paris 1860. Beginning of act I, duet for Philémon and Baucis / Charles Gounod
- L'Italiana in Algeri : Venice 1813. Isabella's aria, act II / Giaocchino Rossini
- La sonnambula : Milan 1831. Scene and aria from act II / Vincenzo Bellini
- Norma : Milan 1831. Norma's prayer : from act I / Vincenzo Bellini
- La forza del destino : St. Petersburg 1862. Leonore-Father Guardian scene : from act II / Giuseppe Verdi
- La bohème : Turin 1896. Musette's waltz : from act II / Gizcomo Puccini
- Faust : Prague 1816. Röschen's cavatina / Louis Spohr
- Faust : Prague 1816. Mephisto's aria / Louis Spohr
- Undine : Berlin 1816. Undine's farewell : from act III / Ernst Theodor Amadeus Hoffmann
- Euryanthe : Vienna 1823. Lysiart's scene and aria, beginning of act II / Carl Maria von Weber
- Hans Sachs : Leipzig 1840. Cordula's aria : from act III / Albert Lortzing
- Tristan and Isolde : Munich 1865. Death of Tristan : from act III / Richard Wagner
- Halka : Warsaw 1858. Jontek's song : from act IV / Stanislav Moniuszko
- Dalibor : Prague 1868. Duet for Milada and Dalibor : from act II / Bedřich Smetana
- Prince Igor : St. Petersburg 1890. Chorus of the Polovtsian maidens : from act II / Alexander Borodin
- Sadko : Moscow 1898. Song of the Indian merchant : from the 4th tableau / Nicolai Rimsky-Korsakov
