Fiction 2000 : cyberpunk and the future of narrative
著者
書誌事項
Fiction 2000 : cyberpunk and the future of narrative
University of Georgia Press, c1992
- : pbk
大学図書館所蔵 全19件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
ISBN 9780820314259
内容説明
Will novels and stories be relevant in the next millenium, when the boundaries between illusion and reality, and observer and observed, may dissipate in a whirl of images, signals, and data? This essay collection divines the prospects of fiction in the information age by examining cyberpunk literature. A movement less than a decade old, cyberpunk is driven by deep concerns about society, ethics, and new technology and has been defined as the literature of the first generation of science-fiction writers actually to live in a science-fiction world. These essays were first presented at the 1989 annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature. They address concerns common not only to cyberpunk and traditional science-fiction scholars, critics, and writers but to their counterparts outside the genre as well.
Interdisciplinary in perspective, the essays consider the origins of cyberpunk, the appropriation of its conventions by the mass media, the literature's paradoxical retrogressive/iconoclastic nature, cyberpunk's affinities to and deviations from both traditional science fiction and postmodernist literature, the parameters and components of the cyberpunk canon, and the movement's future course. Some essays are theoretical, but all are grounded in works familiar to serious science-fiction readers: "Neuromancer", "Frontera", "Deserted Cities of the Heart", "Islands in the Net", "Great Sky River", the "Mirrorshades" anthology, and others; cyberpunk TV and cinema like the Max Headroom programmes, "Blade Runner", and "Tron"; and precursory literature, including "Frankenstein", "Le Roman de l'avenir", "Ralph 124C 41 +" and "A Clockwork Orange".
- 巻冊次
-
: pbk ISBN 9780820314495
内容説明
Will novels and stories be relevant in the next millenium, when the boundaries between illusion and reality, and observer and observed, may dissipate in a whirl of images, signals, and data? This essay collection divines the prospects of fiction in the information age by examining cyberpunk literature. A movement less than a decade old, cyberpunk is driven by deep concerns about society, ethics, and new technology and has been defined as the literature of the first generation of science-fiction writers actually to live in a science-fiction world. These essays were first presented at the 1989 annual J. Lloyd Eaton Conference on Science Fiction and Fantasy Literature. They address concerns common not only to cyberpunk and traditional science-fiction scholars, critics, and writers but to their counterparts outside the genre as well. Interdisciplinary in perspective, the essays consider the origins of cyberpunk, the appropriation of its conventions by the mass media, the literature's paradoxical retrogressive/iconoclastic nature, cyberpunk's affinities to and deviations from both traditional science fiction and postmodernist literature, the parameters and components of the cyberpunk canon, and the movement's future course. Some essays are theoretical, but all are grounded in works familiar to serious science-fiction readers: ""Neuromancer"", ""Frontera"", ""Deserted Cities of the Heart"", ""Islands in the Net"", ""Great Sky River"", the ""Mirrorshades"" anthology, and others; cyberpunk TV and cinema like the Max Headroom programmes, ""Blade Runner"", and ""Tron""; and precursory literature, including ""Frankenstein"", ""Le Roman de l'avenir"", ""Ralph 124C 41 +"" and ""A Clockwork Orange"".
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