The interpretation of music : philosophical essays
著者
書誌事項
The interpretation of music : philosophical essays
Clarendon Press , Oxford University Press, c1993
大学図書館所蔵 全12件
注記
Includes bibliographical references and index of names
内容説明・目次
内容説明
This volume is concerned with the philosophical presuppositions of musical interpretation. The nineteen previously unpublished essays address such interrelated questions as the nature of musical interpretation in relation to works or music, whether works of music are fully embodied in scores, how strictly all markings of a score should be respected, what pertinence historical research has for musical interpretation, and how decisive the known or reconstructed
intentions of a composer should be.
The contributors investigate the aesthetic, cultural, and historical aspects of musical interpretation, and their relation to interpretation in other human practices. In addition, they investigate such fundamental distinctions as those between musical and non-musical phenomena, and between musical and linguistic meaning.
目次
- The full voic'd quire - types of interpretations of music, Goran Hermeren
- performative vs critical interpretation in music, Jerrold Levinson
- interpreting the emotional content of music, F.M.Berenson
- rightness and reasons in musical interpretation, Michael Krausz
- musical standards as function of musical accomplishment, James Ross
- perceiving the music correctly, Robert Kraut
- musical works in the worlds of performers and listeners, Robert L.Martin
- notation and realization - musical performance in historical perspective, Bojan Bujic
- music as ordered sound - some complications affecting description and interpretation, Joseph Margolis
- the ethics of musical performance, J.O.Urmson
- making music our own, Frank Sibley
- "Music Has no Meaning to Speak of" - the politics of musical interpretation, Lydia Goehr
- notes on the meaning of music, Roger Scruton
- is there a semantics for music?, Rom Harre
- Goodman, density and the limits of sense perception, Dianne Raffman
- portraits in music, a case study - Elgar's "Enigma" variations, Francis Sparshott
- aesthetic decomposition - music, identity and time, Joanna Hodge
- understanding humour and understanding music, Kendall Walton
- theoretically informed listening, Mark de Bellis.
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