Refiguring the hero : from peasant to noble in Lope de Vega and Calderón
著者
書誌事項
Refiguring the hero : from peasant to noble in Lope de Vega and Calderón
(Penn State studies in romance literatures)
Pennsylvania State University Press, c1991
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p.[221]-234) and index
内容説明・目次
内容説明
Refiguring the Hero reassesses the social significance of several of the most widely read plays of Spain's Golden Age in light of then-contempory ideas about heroism.
The Spanish dramatists Lope de Vega and Pedro Calderon de la Barca, near contemporaries of Shakespeare, are hailed by Hispanists as democrats at heart for making heroes, in both the literary and the positive moral sense, of peasants. Spanish drama is alleged to be the first literature in the Western world to find the common man worthy of heroic status. Refiguring the Hero reevaluates the place of the canon of Spanish Golden Age drama within its European context.
The book discusses European literary heroism through the seventeenth century,with particular attention to the Spanish or moral enlightenment were essential characteristics of a hero. However, the protagonists of Spanish "peasant honor" plays do not fit into this heroic tradition. The peasant often murders a nobleman who has offended his honor, and is rewarded by the reigning monarch. The peasants gain official approval by misrepresenting the events leading up to the murders. The generous kings, in their turn, are historical figures known for their failures.
While most scholars approaching Spanish Golden Age drama regard these plays a s socially subversive or revolutionary, Dian Fox contends that they are consistent with other contemporary European national dramas in reserving heroism in serious works for socially superior characters. She challenges the "democratic" view of the peasant triumphing over the nobleman as heroic and shows that political and social developments since the seventeenth century have enhanced the sympathy with which modern readers regard the violent acts of the peasants in these plays.
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