When the moon waxes red : representation, gender, and cultural politics
著者
書誌事項
When the moon waxes red : representation, gender, and cultural politics
Routledge, 1991
- : pbk
大学図書館所蔵 全24件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 237-251)
内容説明・目次
- 巻冊次
-
ISBN 9780415904308
内容説明
In this new collection of her provocative essays on Third World art and culture, award-winning film-maker and theorist Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, Trinh Minh-ha examines Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology. In one essay, taken from ideas raised earlier by Zora Neale Hurston, she considers with astonishment the search by Western "experts" for the "hidden" values of a person or culture, a process of legitimized voyeurism that, she argues, ultimately equates psychological "conflicts R" with "depth R", while "inner R" experience is reduced to mere personal feeling. "When the Moon Waxes Red" is an extended argument against reductive analyses, even those that appear politically adroit. Feminist struggle is heterogeneous. The multi-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh Minh-Ha describes the predicament of having to live "a difference that has no name and too many names already".
This book should be of interest to undergraduates and academics.
- 巻冊次
-
: pbk ISBN 9780415904315
内容説明
In this new collection of her provocative essays on Third World art and culture, Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, she examines topics such as Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology.
When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game."
目次
- Introduction Yellow Sprouts
- Part 1 No Master Territories
- Chapter 1 Cotton and Iron
- Chapter 2 The Totalizing Quest of Meaning
- Chapter 3 Mechanical Eye, Electronic Ear, and the Lure of Authenticity
- Chapter 4 Outside In Inside Out
- Part 2 She, of the Interval
- Chapter 5 All-Owning Spectatorship
- Chapter 6 A Minute Too Long
- Chapter 7 L'Innecriture: Un-writing/Inmost Writing
- Chapter 8 Questions of Images and Politics
- Part 3 The Third Scenario: No Light No Shade
- Chapter 9 Bold Omissions and Minute Depictions
- Chapter 10 Aminata Sow Fall and the Beggars' Gift
- Chapter 11 The World as Foreign Land
- Chapter 12 Holes in the Sound Wall
- Chapter 13 The Plural Void: Barthes and Asia
- Chapter 14 The Other Censorship
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