High-class moving pictures : Lyman H. Howe and the forgotten era of traveling exhibition, 1880-1920
Author(s)
Bibliographic Information
High-class moving pictures : Lyman H. Howe and the forgotten era of traveling exhibition, 1880-1920
Princeton University Press, c1991
- : [pbk.]
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Note
Includes bibliographical references (p. [315]-354) and index
Description and Table of Contents
- Volume
-
ISBN 9780691047812
Description
The entrepreneur of phonograph concerts and motion-picture programs Lyman H. Howe was the leading traveling exhibitor of his time and the exemplar of an important but until now little examined aspect of American popular culture. This work, with its numerous and lively illustrations, uses his career to explore the world of itinerant showmen, who exhibited all motion pictures seen outside large cities during the 1890s and early 1900s. They frequently built cultural alliances with genteel city dwellers or conservative churchgoers and in later years favored "high-class" topics appealing to audiences uncomfortable with the plebeian nickelodeons. Bridging the fields of American studies and film history, the book reveals the remarkable sophistication with which exhibitors created their elaborate, evening-length programs to convey powerful ideological messages. Whether depicting the Spanish-American War, the 1900 Paris Exposition, or British colonialism in action, Howe's "cinema of reassurance" had many parallels with the music of John Philip Sousa.
Originally published in 1991.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
- Volume
-
: [pbk.] ISBN 9780691604947
Description
The entrepreneur of phonograph concerts and motion-picture programs Lyman H. Howe was the leading traveling exhibitor of his time and the exemplar of an important but until now little examined aspect of American popular culture. This work, with its numerous and lively illustrations, uses his career to explore the world of itinerant showmen, who exhibited all motion pictures seen outside large cities during the 1890s and early 1900s. They frequently built cultural alliances with genteel city dwellers or conservative churchgoers and in later years favored "high-class" topics appealing to audiences uncomfortable with the plebeian nickelodeons. Bridging the fields of American studies and film history, the book reveals the remarkable sophistication with which exhibitors created their elaborate, evening-length programs to convey powerful ideological messages. Whether depicting the Spanish-American War, the 1900 Paris Exposition, or British colonialism in action, Howe's "cinema of reassurance" had many parallels with the music of John Philip Sousa. Originally published in 1991.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Table of Contents
*Frontmatter, pg. i*Contents, pg. vii*Acknowledgments, pg. ix*Abbreviations, pg. xiii*1. Introduction, pg. 1*2. Traveling Exhibits: Howe 's Early Years, 1856-1890, pg. 12*3. Photographers of Sound: Howe and the Phonograph, 1890-1896, pg. 22*4. Lifelike Pictures: Howe's Animotiscope, 1896-1897, pg. 47*5. Culture in Conflict: Howe Moves into the Opera Houses, 1897-1899, pg. 69*6. Hard Times for the Roadmen: Lyman H. Howe, the Premier Traveling Exhibitor, 1899-1902, pg. 94*7. The Proliferation of Traveling Exhibitors: Howe Forms Multiple Companies, 1903-1905, pg. 127*8. The Nickelodeon Crisis: Howe Moves into the Big Cities, 1905-1908, pg. 160*9. Motion Pictures under Attack: Howe Provides a Model Cinema, 1908-1911, pg. 190*10. A New Generation of Roadmen: Howe Faces Renewed Competition, 1911-1915, pg. 223*11. Later Years: 1916-1933, pg. 258*12. Conclusion, pg. 276*Appendix A. Howe: A Civic Leader, pg. 283*Appendix B. Exhibition Patterns among Traveling Motion Picture Showmen, 1896-1904, pg. 289*Appendix C. Selected Film Exhibitions in Wilkes-Barre, 1896- 1919, pg. 291*Appendix D. Selected Film Exhibitions in Philadelphia, 1908- 1916, pg. 295*Appendix E. Howe Exhibitions in Selected Cities, pg. 297*Appendix F. Howe Filmography, pg. 300*Appendix G . Documents, pg. 308*Notes, pg. 315*Index, pg. 355
by "Nielsen BookData"