The riddle of Bach's last fugue 'Contrapunctus XIX' theologically considered with a conjectural completion
著者
書誌事項
The riddle of Bach's last fugue 'Contrapunctus XIX' theologically considered with a conjectural completion
Mellen Research University Press, c1992
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注記
Includes bibliographical references (p. 33-36)
内容説明・目次
内容説明
A suggested trinitarian symbolism of "Contrapunctus XIX" is compared to the established trinitarian symbolism of the great Eb major (St. Anne) fugue, B.W.V.552/2, and suggested trinitarian symbolism of the C# minor fugue of "Well-tempered Clavier" (I,4). It is concluded that "Contrapunctus XIX" is a hymn to the Holy Trinity which Bach may have deliberately left unfinished because of an irregularity in the symbolism of the three persons of the Godhead which was the musical-metaphoric equivalent of the heresy of Montanus.
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