The portrayal of love : Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent
著者
書誌事項
The portrayal of love : Botticelli's Primavera and humanist culture at the time of Lorenzo the Magnificent
Princeton University Press, c1992
- : cl
- : pbk
大学図書館所蔵 全23件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: pbk ISBN 9780691015736
内容説明
Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de'Medici, Botticelli's "Primavera" cannot be fully interpreted without considering the poetics that expressed the Laurentian cultural program and, in turn, the Renaissance itself. In this analysis, Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the "Primavera" was created. A celebration of Love, the painting is shown to incorporate both public and private imaginative realms while embracing the ideal and the actual experiences of the present. "The Primavera", depicting Venus as the spirit of Love and springtime, is simultaneously old-fashioned and modern, rooted in International-Style vernacular conventions and evincing a nascent classical vocabulary. After describing the profoundly humanist classical foundation of the invention of the Primavera, Dempsey identifies its genre with rustic song, then relates the painting to the conventions of vernacular love poetry.
A close reading of the painting in relation to works by Lorenzo, Politian, Pulci, and other poets working to elevate vernacular expression by infusing native Tuscan with Latin forms suggests how the idea of Love portrayed by Botticelli in the form of Venus incorporates not only the ancient springtime renovatio mundi but also the actual cultural renovation - the Renaissance - imagined and sponsored by Lorenzo the Magnificent.
目次
List of Illustrations 1 Poetry as Painting: The Classical Materia of Botticelli's Invention for the Primavera 2 Poetry as Public Myth: The Primavera and Vernacular Expression 3 Poetry as History: Lucrezia Donati, Luigi Pulci's Da poi che 'l Lauro, and Some Poems by Lorenzo de'Medici 4 Poetry as Historical Fiction: Lorenzo de'Medici, Simonetta Cattaneo, and Lucrezia Donati 5 Reading the Poem Index
- 巻冊次
-
: cl ISBN 9780691032078
内容説明
Widely acknowledged as a prime manifestation of Florentine humanist culture under Lorenzo de'Medici, Botticelli's Primavera cannot be fully interpreted without considering the poetics that expressed the Laurentian cultural program and, in turn, the Renaissance itself. In this analysis Charles Dempsey examines the poetry written by Lorenzo and his literary clients in order to give definition to the cultural context in which the Primavera was created. A celebration of Love, the painting is shown to incorporate both public and private imaginative realms while embracing the ideal and the actual experiences of the present.
The Primavera, depicting Venus as the spirit of Love and springtime, is simultaneously old-fashioned and modern, rooted in International-Style vernacular conventions and evincing a nascent classical vocabulary. After describing the profoundly humanist classical foundation of the invention of the Primavera, Dempsey identifies its genre with rustic song, then relates the painting to the conventions of vernacular love poetry. A close reading of the painting in relation to works by Lorenzo, Politian, Pulci, and other poets working to elevate vernacular expression by infusing native Tuscan with Latin forms suggests how the idea of Love portrayed by Botticelli in the form of Venus incorporates not only the ancient springtime renovatio mundi but also the actual cultural renovation--the Renaissance--imagined and sponsored by Lorenzo the Magnificent.
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