The multiple muses of Virginia Woolf

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The multiple muses of Virginia Woolf

edited by Diane F. Gillespie

University of Missouri Press, c1993

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

The violation of boundaries between the arts is often cited as a characteristic of modernism. Although Virginia Woolf's interest in painting is a well-established example, this work offers insight into the importance of Woolf's relationship with painters, their theories and their works. It also reveals the great impact that other arts - photography, cinema, dance and music - had on Woolf's writing. Gillespie has brought together scholarship in this area to show how similarities and differences among the arts helped Woolf define her own verbal experiments. Receiving formal inspiration, she nevertheless evolved ways to prevent form and, at the other end of the continuum, sentiment, from obliterating genuine emotion and, to some extent, social commentary. In all these other arts, Woolf found ways to challenge the largely masculine traditions of literature. She also discovered more indirect ways of creating characters in her fiction, particularly in depicting the complexities and ambiguities of ordinary people. As much as the volatility in the art world of her day excited her, however, and as much as the limitations of language sometimes frustrated her, Woolf consistently asserted the primacy and inclusive nature of her literary art. This collection of essays, which attempts to provide insight into the Bloomsbury Group, aims to be of interest to all readers of Virginia Woolf's fiction and to students of modernism as well.

目次

  • Part 1 Introduction - The Loves of the Arts, Diane F. Gillespie. Part 2 Painting Invocations and Confrontations: Through Formalism - Feminism and Virginia Woolf's Relation to Bloomsbury Aesthetics, Christopher Reed
  • The Blasphemy of Art - Fry's Aesthetics and Woolf's Non-"Literary" Stories, Panthea Reid Broughton
  • Reading Proust - Woolf and the Painter's Perspective, Cheryl Mares
  • "Silent as the Grave" - Painting, Narrative and the Reader in "Night and Day" and "To the Lighthouse", Jane Fisher. Part 3 More Muses and Amusements: "Her Kodak Pointed at His Head" - Virginia Woolf and Photography, Diane F. Gillespie
  • "Across the Screen of My Brain" - Virginia Woolf's "The Cinema" and Film Forums of the Twenties, Leslie Kathleen Hankins
  • Her Quill Drawn from the Firebird - Virginia Woolf and the Russian Dancers, Evelyn Haller
  • "The Second Violin Tuning in the Ante-room" - Virginia Woolf and Music, Peter Jacobs.

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