Origins of modern Japanese literature
著者
書誌事項
Origins of modern Japanese literature
(Post-contemporary interventions / series editors, Stanley Fish & Fredric Jameson)
Duke University Press, 1993
- : pbk
- タイトル別名
-
Nihon kindai bungaku no kigen
日本近代文学の起源
大学図書館所蔵 全93件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Translation of: 日本近代文学の起源
Includes index
内容説明・目次
内容説明
Since its publication in Japan ten years ago, Origins of Modern Japanese Literature has become a landmark book, playing a pivotal role in defining discussions of modernity in that country. Against a history of relative inattention on the part of Western translators to modern Asian critical theory, this first English publication is sure to have a profound effect on current cultural criticism in the West. It is both the boldest critique of modern Japanese literary history to appear in the post-war era and a major theoretical intervention, which calls into question the idea of modernity that informs Western consciousness.
In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as origin, modern, literature, and the state reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being.
A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." Origins of Modern Japanese Literature should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.
目次
Foreword: In the Mirror of Alternate Modernities / Fredric Jameson vii
Introduction 1
1. The Discovery of Landscape (translated by Brett de Bary) 11
2. The Discovery of Interiority (translated by Brett de Bary) 45
3. Confession as a System (translated by Brett de Bary) 76
4. Sickness as Meaning (translated by Yukari Kawahara and Robert Steen) 97
5. The Discovery of the Child (translated by Ayako Kano and Eiko Elliott) 114
6. On the Power to Construction (translated by Ayako Kano and Joseph Murphy) 136
Materials Added to the English Edition (translated by Brett de Bary)
7. The Extinction of Genres (1991) 175
Karatani Kojin's Afterword to the Japanese Paperback Edition of Origins of Modern Japanese Literature (1988) 185
Karatani Kojin's Afterword to the English Edition (1991) 190
Notes 197
Glossary 209
Index 217
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