Gigs : jazz and the cabaret laws in New York City
著者
書誌事項
Gigs : jazz and the cabaret laws in New York City
（After the law）
Routledge, 1991
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注記
Includes bibliographical references (p. 190-206) and index
内容説明・目次
内容説明
In "Gigs" Paul Chevigny, a noted lawyer, scholar and jazz enthusiast, tells the story of a cultural scandal that lasted for two generations. Instituted in the 1920s, the New York City cabaret laws were a clutch of regulations used to control and repress popular entertainment, especially live jazz music. The cabaret laws dictated where live entertainment could be played, and until very recently established a licensing system that was used to insulate patrons from "immoral" influences. These regulations were altered, gradually at first, through intense political pressure and changing cultural attitudes. In the 1980s they were finally destroyed, with the help of Chevigny, who represented the musicians and their union in the case documented in this book. Only as a result of litigation rooted in First Ammendment were claims by the musicians to be permitted at last to express themselves as they saw fit. New York City definitively yielded to the decision as its administration changed from that of Edward Koch to David Dinkins. This book should be of interest to undergraduates and postgraduates; cultural studies, sociology, law and American studies.
目次
Introduction 1. Prelude 2. The Musicians Union 3. The Music in the Clubs 4. Regulation as Denigration 5. The Campaign to Change the Law: Lost in the Labyrinth 6. The Campaign to Change the Law: Free Expression 7. The Process of Change 8. The Lives of Musicians 9. Conclusion: Politics, Law and Music.
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