The field of cultural production : essays on art and literature
Author(s)
Bibliographic Information
The field of cultural production : essays on art and literature
(European perspectives)
Columbia University Press, 1993
- : pbk
Available at 19 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [306]-309) and index
Description and Table of Contents
Description
During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. The Field of Cultural Production brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption.
He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies.
Table of Contents
Preface Editor's Introduction: Pierre Bourdieu on Art, Literature and Culture Part I. The Field of Cultural Production 1. The Field of Cultural Production, or: The Economic World Reversed 2. The Production of Belief: Contribution to an Economy of Symbolic Goods 3. The Market of Symbolic Goods Part II. Flaubert and the French Literary Field 4. Is the Structure of Sentimental Education an Instance of Social Self-analysis? 5. Field of Power, Literary Field and Habitus 6. Principles for a Sociology of Cultural Works 7. Flaubert's Point of View Part III. The Pure Gaze: Essays on Art 8. Outline of a Sociological Theory of Art Perception 9. Manet and the Institutionalization of Anomie 10. The Historical Genesis of a Pure Aesthetic Notes Selected Bibliography Index
by "Nielsen BookData"