Ugetsu : Kenji Mizoguchi, director
著者
書誌事項
Ugetsu : Kenji Mizoguchi, director
(Rutgers films in print, v. 17)
Rutgers University Press, c1993
- : pbk
大学図書館所蔵 全17件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes the continuity script
Filmography: p. [169]-174
Includes bibliographical references (p. [175]-176)
内容説明・目次
内容説明
Ugetsu Monogatari has been widely acclaimed as a masterpiece of the Japanese cinema since the moment in 1952 when its director, Kenji Mizoguchi, won a Silver Lion award for the film at the Venice Festival. Western audiences immediately recognized the pictorial beauty of Ugetsu and the lyrical power of Mizoguchi's camera movements, but most viewers have found the film's narrative elements puzzling and unsettling. Ugetsu seems to move between two radically different worlds: the first is a world at war, conveyed with graphic realism; the second, a highly stylized world of the supernatural, filled with ghosts and apparitions. To understand why Mizoguchi chose to incorporate these disparate experiences in one film and ultimately to integrate them requires an awareness of Mizoguchi's customary themes and of cultural contexts that would be familiar to his Japanese audience.
This volume presents a complete continuity script of Ugetsu and an introductory essay by Keiko McDonald, analyzing the complex issues of Japanese culture revealed in the film. Also included are a letter from Mizoguchi to his longtime scriptwriter, the late Yoshikata Yoda; the complete texts of the two Japanese tales on which the film was based; Japanese, European and American reviews and commentaries, some appearing for the first time in English; and a filmography and bibliography.
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