Fifteenth-century Persian painting : problems and issues
著者
書誌事項
Fifteenth-century Persian painting : problems and issues
(Hagop Kevorkian series on Near Eastern art and civilization)
New York University Press, 1991
大学図書館所蔵 全9件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. ix-xi
Includes indexes
内容説明・目次
内容説明
In this book B.W. Robinson traces the development of the different styles of Persian painting during the 15th century and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period. Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century and then proceeds to tackle in order the three main fields of controversy painting under the Turkmans, Timurid painting in Transoxiana, and Timurid painting in India. The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now which he identifies as originating in Transoxiana. Finally, he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.
Guiding the reader through the stylistic intricacies he so vividly describes, Robinson has included 24 photographs and 4 colour plates of related paintings.
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