Fifteenth-century Persian painting : problems and issues
Author(s)
Bibliographic Information
Fifteenth-century Persian painting : problems and issues
(Hagop Kevorkian series on Near Eastern art and civilization)
New York University Press, 1991
Available at 9 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. ix-xi
Includes indexes
Description and Table of Contents
Description
In this book B.W. Robinson traces the development of the different styles of Persian painting during the 15th century and considers a number of the problems and issues involved in establishing a methodology and system of classification for Persian painting of that period. Robinson begins, by way of background, with a review of the schools of Herat and Shiraz up to the middle of the century and then proceeds to tackle in order the three main fields of controversy painting under the Turkmans, Timurid painting in Transoxiana, and Timurid painting in India. The uneasy fusion of contrasting characteristics of Herat and Shiraz that resulted in the emergence of Turkman court painting is traced through the origins, development and branching of the Turkman style into a definitive form. Then the author reviews a branch of the art almost entirely neglected up to now which he identifies as originating in Transoxiana. Finally, he provides a new approach to the study of pre-Mughal Indian painting in Persian style by dividing the material into five stylistic groups.
Guiding the reader through the stylistic intricacies he so vividly describes, Robinson has included 24 photographs and 4 colour plates of related paintings.
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