Francis Bacon and the loss of self
Author(s)
Bibliographic Information
Francis Bacon and the loss of self
（Essays in art and culture）
Harvard University Press, 1993
Available at 2 libraries
Note
Originally published: London : Reaktion Books, c1992
Includes bibliographical references
Description and Table of Contents
Description
Since his death in April 12 Francis Bacon has been acclaimed as one of the very greatest of modern painters. Yet most analyses of Bacon actually neutralize his work by discussing it as an existential expression and as the horrifying communication of an isolated individual--which simply transfers the pain in the paintings back to Bacon himself. This study is the first attempt to account for the pain of the viewer.It is also, most challengingly, an explanation of what Bacon's art tells us about ourselves as individuals. For, during this very personal investigation, the author comes to realize that the effect of Bacon's work is founded upon the way that each of us carves our identity, our self, from the inchoate evidence of our senses, using the conventions of representation as tools. It is in his warping of these conventions of the senses, rather than in the superficial distortion of his images, that Bacon most radically confronts art, and ourselves as individuals.
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