Cracks in the monolith : party power in the Brezhnev era
著者
書誌事項
Cracks in the monolith : party power in the Brezhnev era
(Contemporary Soviet/Post Soviet politics)
M.E. Sharpe, c1992
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The materials of the Soviet Interview Project, launched in 1979, offer a baseline against which to project the rapid and fundamental changes taking place in the USSR today. The essays presented here draw from the various SIP subprojects' evidence of the internal condition of the CPSU party during the "era of stagnation" and its role, influence, and impact on the operation of legal and economic institutions and state bureaucracies. As the interviews with emigres reveal, the power and prestige of the party in the pre-perestroika years was far weakers that Western analysis generally supposed, and its eclipse, if not inevitable or expected, was manifestly possible.
目次
The new edition of this popular text explores the relationship between American politics and films of all types from comedies and dramas to biographies and documentaries. A new chapter covering 2000-2010 and up to 2013 updates the decade-by-decade survey of politics in films from Birth of a Nation to The Wolf of Wall Street. The revision covers recent developments in the nexus between film and politics, such as the Citizens United Supreme Court decision and the heated objections by senior politicians to the controversial film Zero Dark Thirty. The authors provide a framework that readers can use to analyze the political content of films, film technique, and political messaging. They analyze the effects of real-world politics on Hollywood and how various film techniques are used for messaging in political films. An entirely new topical chapter covering the recent resurgence of the apocalyptic and disaster film genre has been added to the Second Edition, along with new coverage of Iraq-Afghan war movies, and updated chapters on race, political documentaries, and women in political films. A guide to the most current web-based film resources and political filmography complete this indispensable overview for researchers, students, and instructors of film studies. An online Instructor's Manual with discussion questions is available to adopters.
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