Cracks in the monolith : party power in the Brezhnev era
Author(s)
Bibliographic Information
Cracks in the monolith : party power in the Brezhnev era
(Contemporary Soviet/Post Soviet politics)
M.E. Sharpe, c1992
Available at 8 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
The materials of the Soviet Interview Project, launched in 1979, offer a baseline against which to project the rapid and fundamental changes taking place in the USSR today. The essays presented here draw from the various SIP subprojects' evidence of the internal condition of the CPSU party during the "era of stagnation" and its role, influence, and impact on the operation of legal and economic institutions and state bureaucracies. As the interviews with emigres reveal, the power and prestige of the party in the pre-perestroika years was far weakers that Western analysis generally supposed, and its eclipse, if not inevitable or expected, was manifestly possible.
Table of Contents
The new edition of this popular text explores the relationship between American politics and films of all types from comedies and dramas to biographies and documentaries. A new chapter covering 2000-2010 and up to 2013 updates the decade-by-decade survey of politics in films from Birth of a Nation to The Wolf of Wall Street. The revision covers recent developments in the nexus between film and politics, such as the Citizens United Supreme Court decision and the heated objections by senior politicians to the controversial film Zero Dark Thirty. The authors provide a framework that readers can use to analyze the political content of films, film technique, and political messaging. They analyze the effects of real-world politics on Hollywood and how various film techniques are used for messaging in political films. An entirely new topical chapter covering the recent resurgence of the apocalyptic and disaster film genre has been added to the Second Edition, along with new coverage of Iraq-Afghan war movies, and updated chapters on race, political documentaries, and women in political films. A guide to the most current web-based film resources and political filmography complete this indispensable overview for researchers, students, and instructors of film studies. An online Instructor's Manual with discussion questions is available to adopters.
by "Nielsen BookData"