Music before 1600
著者
書誌事項
Music before 1600
（Models of musical analysis）
Blackwell Reference, c1992
大学図書館所蔵 件 / 全5件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Bibliography: p. 225-234. - Includes index
内容説明・目次
内容説明
Nowhere in musical analysis is the tension between the two theoretical positions of considering music in the context of its external circumstances or examining its internal substance so apparent as in the study of the medieval and early repertoire. This volume seeks to bridge the gap between the historical humanistic study of the period's music and the application of analytical techniques more often found in criticism of later music. The chapters investigate a range of musical styles as well as a fair cross section of the ways in which music composed before 1600 is currently being analyzed. The book brings together critics from two camps: historians who seek to explain the nature of medieval and Renaissance music by reference to contemporary contexts, and more abstractly minded analytical scholars. In his introduction Everist explores the possibility of fusing the two approaches.
目次
- Introduction, Mark Everist
- medieval lyric, Leo Treitler
- an early 13th-century motet, Norman Smith
- Guillaume de Machaut - "De Toutes Flours", Sarah Fuller
- "Lamento di Tristano", David Lidov
- Guillaume Dufay - "Alma Redemptoris Mater (II)", Saul Novack
- Josquin des Prez - "Salve Regina (a 5)", Cristle Collins Judd
- Orlando di Lasso - "Si Bona Suscepimus", James Haar
- Antoine de Bertrand - "Las! Pour Vous Trop Aymer", Jean-Michel Vaccaro
- William Byrd - mass in five parts, David Stern.
「Nielsen BookData」 より