Theocritus' pastoral analogies : the formation of a genre
Author(s)
Bibliographic Information
Theocritus' pastoral analogies : the formation of a genre
(Wisconsin studies in classics)
University of Wisconsin Press, c1991
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliography (p. 276-288) and indexes
Description and Table of Contents
Description
The author uses the "Idylls" of Theocritus to show us the formative processes at work in the creation of a literary genre - the pastoral - and how the very structure of a genre both shapes and limits judgments about it. Gutzwiller argues that Theocritus' position as the first pastoralist has haunted critical assessments of him. Was he merely a beginner, whose simple descriptions of country life were reworked by Virgil into poems of imagination and tender feeling? Or was he a genius of great creative ability, who first found the way to encapsulate in humble detail a metaphysical vision of man's emotional core? Examining Theocritus from the point of view of "beginnings", Gutzwiller places him both within his native Greek intellectual tradition and within the tradition of critical commentary on pastoral. Gutzwiller provides an analysis of the herdsman figure in pre-Hellenistic Greek literature, showing that the simple shepherd or goatherd had long been used as a figure of analogy for characters of higher rank. Theocritus was the first poet to focus on the shepherd himself and bring the analogies down into the pastoral world.
Through her analyses of the seven pastoral Idylls, Guttzwiller demonstrates that in turning the focus on the shepherd Theocritus created a group of literary works with an inner structure so unique that later readers considered it a new genre. In her conclusion Gutzwiller explores subsequent controversies about the pastoral, from ancient to modern times, revealing how they continue to reflect the structural pattern that originated in Theocritus's poetry.
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