A theory of art : inexhaustibility by contrast
著者
書誌事項
A theory of art : inexhaustibility by contrast
(SUNY series in systematic philosophy)
State University of New York Press, c1982
- pbk.
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
The richness of art is manifested in contrast: contrast with other works of art, other features of human experience, other times and places, and other forms of judgment and understanding. The possibilities of contrast are inexhaustible. Every being shares this inexhaustibility of openness to novel possibilities, although inexhaustibility is most fully realized in art.
The general theory of art and aesthetic value developed in this book is based on the notions of inexhaustibility and contrast and has important forebears in Kant, Coleridge, and Whitehead. The theory allows art to be located relative to otheR spheres of judgment—science, action, and philosophy. The theory allows a new perspective on interpretation and criticism. Ross presents and defines a new synthetic form of understanding works of art that offers an alternative to the skepticism that haunts so many theories of interpretation.
目次
PREFACE
1. INTRODUCTION
2. THEORIES OF ART AS THEORIES OF CONTRAST
Imitation
Representation
The Embodiment of Ideals
Imitation of Feeling
Imitation of a Model
Truth
Appearance and Reality
Artifice and Nature
Beauty
Utility
Style
Subjectivity and Objectivity
Paradox
Unity and Multiplicity
3. THE THEORY OF CONTRAST
The Ordinal Theory
Prevalence and Deviance
Possibility and Actuality
Ordinality and Intensity of Contrast
4. CONTRASTS AND AESTHETIC VALUE: DIMENSIONS AND GENERAL TYPES
The Dimensions of Artisitic Value
Perfection
Invention
Celebration
Nature and the Dimensions of Contrast
General Types of Contrast
Traditionary Contrasts
Intramedial Contrasts
Intermedial Contrasts
Intermodal Contrasts
Intersubjective Contrasts
Integral and Scopic Contrasts
5. CONTRASTS AND AESTHETIC VALUE: SPECIFIC KINDS OF CONTRAST
Types of Contrast
Generality and Specificity
Simplicity and Complexity
Token and Type
Surface and Depth
Beauty and Ugliness
Space
Time
Important Contrasts in Art
Humor
Irony
Violence
Other Modes of Contrast
6. CRITICISM, INTERPRETATION, ILLUSTREMENT
Description
Criticism
Interpretation
Illustrement
Art and Query
Illustrement and Query
INDEX
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