Bibliographic Information

Law and aesthetics

Roberta Kevelson, editor

(New studies in aesthetics, v. 11)

P. Lang, c1992

Available at  / 13 libraries

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Note

Includes bibliographical references and index

Description and Table of Contents

Description

The intricate relationship between poetry and the visual arts has invited centuries of speculation about a deep connection of all art to mysterious sources of inspiration. In contrast, this study considers their association to be the ideological effect of a colonizing gaze which is essentially self-referential. By analyzing the poetry of Rene Char and John Ashbery, both deeply involved with art and artists, this study persuasively argues that the arts traditionally act for poetry as a kind of muse: a source of inspiration and a mirror for poetic self-definition.

Table of Contents

  • Contents: Painting as a myth of poetic origins
  • painting as muse and mirror
  • autodiscourse, creation or commonplace
  • myth of origins in Rene Char's prose poems
  • John Ashbery's self-portraiture.

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Details

  • NCID
    BA20622084
  • ISBN
    • 082041817X
  • LCCN
    91037471
  • Country Code
    us
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    New York
  • Pages/Volumes
    viii, 469 p.
  • Size
    24 cm
  • Classification
  • Subject Headings
  • Parent Bibliography ID
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