Contemplating music : source readings in the aesthetics of music

書誌事項

Contemplating music : source readings in the aesthetics of music

selected and edited with introductions by Ruth Katz and Carl Dahlhaus

(Aesthetics in music series, no. 5)

Pendragon Press, 1987-c1993

  • v. 1
  • v. 2
  • v. 3
  • v. 4

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注記

Includes bibliographical references

収録内容

  • v. 1. Substance
  • v. 2. Import
  • v. 3. Essence
  • v. 4. Community of discourse

内容説明・目次

巻冊次

v. 1 ISBN 9780918728609

内容説明

Volume I, Substance, contains, under the heading Substance, the writings of Plato, Plotinus, Boethius, Marsilio Ficcino, Tommaso Campanella, Johannes Kepler, Arthur Schopenhauer, Friedrich Nietzsche, and Feruccio Busoni. Under the heading Essence and Distinctness are found the writings of Aristotle, Aristoxenus, Philodemus, Immanuel Kant, Friedrich W.J. Schelling, George W.F. Hegel, Johann Herbart, and Eduard Hanslick.
巻冊次

v. 2 ISBN 9780918728685

内容説明

The notion of musical import-meaning and significance-covers a wide spectrum of conferred plausibilities ranging from theories of expression and theories pertaining to aesthetic value, through symbolic theories of signification. from the editor's Introduction. Exploring in greater detail the concept of Import mentioned in Volume I (Substance), the second of this four-volume anthology of musical thought contains, under Affect and Expression, excerpts from St. Augustine, Tinctoris, Vincenzo Galilei, Marin Mersenne, Johannes A. Scheibe, Wilhelm Wackenroder, Friedrich Vischer, Leonard B. Meyer, Peter Kivy, and Roger Scruton. Reason and Experience presents the writings of Ptolemy, Galilei, Gioseffo Zarlino, August Ambros, Henri Bergson, John Dewey, and Roger Sessions. Sensory Cognition and Unconscious Referentials includes essays of Rene Descartes, Francis Hutcheson, Alexander Baumgarten, Hermann Kretzschmar, Arnold Schering, Susanne K. Langer, Leon ard B. Meyer Claude Levi-Strauss, and Umberto Eco.

目次

v. 1. Substance -- v. 2. Import -- v. 3. Essence -- v. 4. Community of discourse.
巻冊次

v. 3 ISBN 9780945193043

内容説明

The third of this four-volume anthology contains two parts: Linguistic Metaphor and Symbolic Language (writings of Guido d'Arezzo, Athanasius Kircher, Christopher Bernard, Johann Mattheson, Daniel Webb, J.J. Engel, Ludwig Wingenstein, Susa nne K. Langer, Deryck Cooke, Nelson Goodman, and Nicholas Wolterstotff), and Sensory Cognition and Unconscious Referentials (Gottfried W. Leibniz, Jean Philippe Rameau, Hermann Helmholtz, Heinrich Schenker, Arnold Schoenberg, Victor Zuckerkandl, Fritz Winckel, and Carl Dahlhaus/Gyoergy Ligeti).

目次

Introduction to Volume 3 Part Six: Linguistic Metaphor and Symbolic Language Introduction to Part Six Part Seven: Conception and Perception Introduction to Part Seven
巻冊次

v. 4 ISBN 9780945193166

内容説明

The first three volumes of Contemplating Music pinpointed the kinds of issues raised in the course of systematic philosophizing about music. Volume IV, Community of Discourse, attempts to bridge philosophical and sociological issues, without presuming to provide a full panorama of the questions raised in sociological inquiries concerning music. The latter, the compilers believe, deserves separate treatment. Rather, throughout Contemplating Music emphasis is placed on opposing intellectual strands, seeking to make clear their relative primacy in different periods and their possible relationships with other ideas. This volume contains the writings of David Hume, Max Weber, J.W.N. Sullivan, Paul Honigsheim, Walter Benjamin, Theodor W. Adorno, W.A. Zhdanov, John H. Mueller, Leonard B. Meyer, Edward A. Lippman, and Stanley Cavell.

目次

Introduction to Volume 4 Part Eight: Reflection and Projection Introduction to Part Eight David Hume Introduction from Of the Standard of Taste Max Weber Introduction from The Rational and Social Foundations of Music J.W.N. Sullivan Introduction from Beethoven: His Spritual Development Paul Honigsheim Introduction from Music and Society Walter Benjamin Introduction from Der Begriff der Kunstkritik Theodor W. Adorno Introduction from Philosophie der neuen Musik W.A. Zhdanov Introduction from Essays on Literature, Philosophy and Music John H. Mueller Introduction from The American Symphony Orchestra Leonard B. Meyer Introduction from Music, The Arts and Ideas Edward A. Lippman Introduction from A Humanistic Philosophy of Music Stanley Cavell Introduction from Must We Mean What We Say Afterword On Contemplating Music

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